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Whats is the purpose of a Sheperds Crook?


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Dale Proctor
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PostPosted: Mon May 06, 2019 8:04 am    Post subject: Reply with quote

Resurrection of a zombie post, but I'll add this in retrospect from today. I have a non-shepherd's crook 1960s Conn cornet that approaches the sound of a Besson Prestige when I use a Wick 4 in it. Just some anecdotal evidence that a cornet doesn't need a shepherd's crook bell to have "the sound". Speaking of "the sound", a significant part of it has to do with the player's style and technique, too. The old Conn 9A Victor is a wonderful instrument with a big sound, great intonation, and a fairly easy upper register.


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kehaulani
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PostPosted: Mon May 06, 2019 8:24 am    Post subject: Reply with quote

Just a musicological note, I think the mythology of early jazz being the domain of bawdy houses and tawdry beginnings does a real stereotyped disservice to early jazz musicians and shouldn't be overstated.

Early Jazz was certainly played in red-light districts, but music, including early Jazz was played all over the Lake Ponchartrain area and as wide as San Antonio, Los Angeles, Chicago and New Yprk City.

Early jazz was found in neighborhoods all over and around New Orleans - it was a normal part of community life.
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JetJaguar
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PostPosted: Mon May 06, 2019 11:30 am    Post subject: Reply with quote

On Marcinkiewicz's website it says of the Rembrandt:
Quote:
The SC Rembrandt trumpet is characterized by its patented shepherds crook bell bend. Inspired by the cornets of old, the unique bend of the bell allows the horn to play open and freely by allowing the air to travel through the instrument with less resistance then traditionally designed bells with tighter bell bends.

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