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TrumpetAdam Veteran Member
Joined: 07 Jun 2003 Posts: 111 Location: So Cal
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Posted: Sat Jul 26, 2003 2:46 am Post subject: |
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IMHO _________________ Adam Zwebti
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Bach Stradivarius 37
Schilke 14
my trumpet
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David Veteran Member
Joined: 22 Nov 2002 Posts: 379
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Posted: Sat Jul 26, 2003 12:07 pm Post subject: |
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Ah, but now for the sticking point.
Define what air control is and how you do it . . . . _________________ Never try to teach a pig to sing. It wastes your time and it annoys the pig. |
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Horn of Praise Heavyweight Member
Joined: 12 Nov 2001 Posts: 625 Location: United States
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Posted: Sat Jul 26, 2003 12:36 pm Post subject: |
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Don't forget aperture control.
"Air and aperture" well. _________________ PAUL NELSON - Eclipse White Lightning / Getzen Eterna 900 Classic / Monette B4LD / Blue Juice |
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Castle Bravo Heavyweight Member
Joined: 13 Apr 2003 Posts: 542
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Posted: Sun Jul 27, 2003 10:48 am Post subject: |
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Well said. If the corners are weak, the air will just produce a fffttt, no matter how fast it's moving...... |
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_trumpetgod_02 Heavyweight Member
Joined: 05 Sep 2002 Posts: 1126 Location: Tampa Bay area
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Posted: Sun Jul 27, 2003 2:29 pm Post subject: |
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how do you control it???
What do you do???
what is controlled and what is not???
hmmmmmm......
Nick _________________ www.trumpetherald.com
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HorneyMikey Veteran Member
Joined: 18 Jun 2003 Posts: 325
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Posted: Sun Jul 27, 2003 2:56 pm Post subject: |
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The next time any of us are lucky enough to see Doc Severinsen in concert, bring along a pair of binoculars. Focus on his face, specifically how he sets his corners. At 76, he can still blow us all away........
firm corners
relaxed center
fast air
[ This Message was edited by: HorneyMikey on 2003-07-27 17:56 ] |
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shofar Veteran Member
Joined: 02 Jun 2003 Posts: 231 Location: Rogersville, Tennessee
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Posted: Sun Jul 27, 2003 3:52 pm Post subject: |
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I saw Doc a couple of years ago in Denver. It was called swinging with Doc. He was struggling and still sounded better than anyone else. What a great sound and range he has. |
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histrumpet Heavyweight Member
Joined: 10 Nov 2001 Posts: 771 Location: Mobile, Al
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Posted: Sun Jul 27, 2003 6:32 pm Post subject: |
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Yes,
Doc displays many of the characteristics of the Super CHops embouchure. |
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LeeC Heavyweight Member
Joined: 25 Feb 2003 Posts: 5730
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Posted: Sun Jul 27, 2003 7:23 pm Post subject: |
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On one of my two embouchures I can circular breathe on a double C. Not very well mind you, but can take a breath or two while sustaining or "shaking" the note. In order to do this my lungs must at some point be inhaling, not blowing. So much for breath control having anything to do with the production of high notes. |
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comebackkid Veteran Member
Joined: 11 Nov 2001 Posts: 233 Location: Placentia, CA
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Posted: Mon Jul 28, 2003 9:59 am Post subject: |
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Quote: |
On 2003-07-27 21:32, histrumpet wrote:
Yes,
Doc displays many of the characteristics of the Super CHops embouchure.
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...........Bruce,
Which characteristics are you refering to? |
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fuzzyjon79 Heavyweight Member
Joined: 17 Apr 2003 Posts: 3014 Location: Nashville, TN
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Posted: Mon Jul 28, 2003 10:07 am Post subject: |
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firm corners, fast air works for me _________________ J. Fowler
"It takes a big ole' sack of flour, to make a big ole' pan of biscuits!" |
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Emb_Enh Veteran Member
Joined: 29 Oct 2002 Posts: 455
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Posted: Sat Aug 02, 2003 10:20 pm Post subject: |
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Air Control leads way to High Notes --- TrumpetAdam --- IMHO
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YEP....but....only if your lips are in the right position... _________________ Regards, Roddy o-iii
RoddyTpt@aol.com
"E M B O U C H U R E___E N H A N C E M E N T"
BOOK 1 also... BOOK 2 + demo CD
[Self Analysis and Diagnostic Trumpet Method] |
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Buzz Heavyweight Member
Joined: 04 May 2002 Posts: 940 Location: McDonough, GA
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Posted: Sun Aug 03, 2003 4:53 am Post subject: |
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What about tongue level? Nobody's talking about that. My tongue level increases the velocity of the air... I think that's what's happening. Then it's a matter of getting my lips together closely enough and creating compression toward the center (aperture). Having said this... I still can't play above an F above the staff. I'm persistent though. Is there something I'm leaving out?
Also... it's easier for me to play higher if I'm doing exercises in the Remington or BE book. HOW COME? I think actually the answer to that is air control. In order to play the exercises in the book I have to control the air. The same thing applies to playing the notes in isolation... Trouble is... I can't hit them in isolation, but I can when I play them in the method books. HOWEVER, there seems to be a positive correlation between my hitting range and my playing range. As one increases, so does the other.
Meg |
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Trptbenge Heavyweight Member
Joined: 15 Feb 2002 Posts: 2390 Location: Atlanta, GA
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Posted: Sun Aug 03, 2003 5:52 am Post subject: |
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Buzz,
I agree! This past week or so I have been experimenting with my tongue. I found the other day that I could do a lip trill on high c & d by using my tongue.
Mike |
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