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Troy Sargent Veteran Member
Joined: 13 May 2012 Posts: 205
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Posted: Tue Jan 01, 2013 8:52 pm Post subject: practice mute backpressure solution |
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Ok I am a college student who is living at home with my parents. I am majoring in trumpet performance and as a result I love to practice and practice ALOT.Now because i live with my parents I origionally thought that I could not practice as much as i wanted. Then i met the silent brass system which is amazing and i love it. (yes i do know that i need to work on the open horn which i do 90%+ of the time. The practice rooms at my university are just not open over the winter break.)
The backpressure though can be killer. And this isnt just a silent brass problem I have seen many threads on this and other forums about backpressure and practice mutes
I think i have a strange but elegant solution
Open your tuning slide water key and keep it open with a hairtie
I know this sounds weird but i was playing with my silent brass today and i realised that the problem was the horn was essentially sealed so i popped open the water key and BAM!!!! the horn was just as silent but it responded LIKE AN OPEN TRUMPET WITH NO MUTE!!!!! The backpressure was gone
in fact the only problem seemed to be that i got a slight hissing sound from air excaping the water key. The sound still stayed just as muted as before or near so ( neither my father or I could tell a difference) so this is really only practical for a practice mute
now i only have done one short practice session doing this and have not fully explored the horn using this method because this was my last session of the day and was essentially a warm up then down then putting the horn back in its case (i am planning a more through exploration tomorrow and will add notes to this post) and i was wondering:
Has anyone else noticed this "trick"?
Has anyone noticed any harmful effects of using this trick?
Is anyone now going to try this trick when using their respective practice mute.
And if anyone else does try this I would love to hear your input on how it changes playing (if at all) as far as mechanics. _________________ www.tsargentmusic.com |
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Mark Curry Heavyweight Member
Joined: 15 Feb 2007 Posts: 1095
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Posted: Tue Jan 01, 2013 9:01 pm Post subject: |
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Hey Troy!
I just never thought of that. I can't see how it might hurt things too much. I'll try it out tomorrow with my Best Brass practice mute.
Oh, and put a towel on the floor:)
mc _________________ A mouthpiece never missed a note by itself! |
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Rob Rothman Veteran Member
Joined: 28 Aug 2012 Posts: 308 Location: New York, NY
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Posted: Wed Jan 02, 2013 5:21 am Post subject: |
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I thought the whole point of the "whisper key" was to reduce the volume without the need for a practice mute.
http://www.youtube.com/watch?v=Y4Z-BQitMuc
Rob Rothman |
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crzytptman Heavyweight Member
Joined: 03 Sep 2003 Posts: 10124 Location: Escondido California
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Posted: Wed Jan 02, 2013 9:52 am Post subject: |
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Renuz-it mute is great. _________________ Crazy Nate - Fine Yet Mellow Fellow
"so full of it I don't know where to start"
Horn: "just mismatched Kanstul spare parts"
- TH member and advertiser (name withheld) |
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Troy Sargent Veteran Member
Joined: 13 May 2012 Posts: 205
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Posted: Wed Jan 02, 2013 11:52 am Post subject: |
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ok so i did my first practice session of the day using this trick and honestly im pretty impressed
the airy sound was a touch annoying but it wasnt thhat bad
the backpressure was gone
the sound was stilll just as quiet
the only thing was you had to use a bit more air which isnt much of a problem really
for me this works great even with warmups partials and orchestral stuff
obvsouly its not perfect but its a hell of a lot better than without the trick _________________ www.tsargentmusic.com |
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Troy Sargent Veteran Member
Joined: 13 May 2012 Posts: 205
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Posted: Wed Jan 02, 2013 11:53 am Post subject: |
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oh and a cloth on your legs or on the ground is a must _________________ www.tsargentmusic.com |
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RicardoSigari Regular Member
Joined: 19 Nov 2012 Posts: 99 Location: São Paulo, Brasil
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Posted: Thu Jan 03, 2013 11:22 pm Post subject: Re: practice mute backpressure solution |
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Troy Sargent wrote: | Ok I am a college student who is living at home with my parents. I am majoring in trumpet performance and as a result I love to practice and practice ALOT.Now because i live with my parents I origionally thought that I could not practice as much as i wanted. Then i met the silent brass system which is amazing and i love it. (yes i do know that i need to work on the open horn which i do 90%+ of the time. The practice rooms at my university are just not open over the winter break.)
The backpressure though can be killer. And this isnt just a silent brass problem I have seen many threads on this and other forums about backpressure and practice mutes
I think i have a strange but elegant solution
Open your tuning slide water key and keep it open with a hairtie
I know this sounds weird but i was playing with my silent brass today and i realised that the problem was the horn was essentially sealed so i popped open the water key and BAM!!!! the horn was just as silent but it responded LIKE AN OPEN TRUMPET WITH NO MUTE!!!!! The backpressure was gone
in fact the only problem seemed to be that i got a slight hissing sound from air excaping the water key. The sound still stayed just as muted as before or near so ( neither my father or I could tell a difference) so this is really only practical for a practice mute
now i only have done one short practice session doing this and have not fully explored the horn using this method because this was my last session of the day and was essentially a warm up then down then putting the horn back in its case (i am planning a more through exploration tomorrow and will add notes to this post) and i was wondering:
Has anyone else noticed this "trick"?
Has anyone noticed any harmful effects of using this trick?
Is anyone now going to try this trick when using their respective practice mute.
And if anyone else does try this I would love to hear your input on how it changes playing (if at all) as far as mechanics. |
MAN, YOU SAVED MY LIFE! I'm on my vacation and I'm at this moment studyin, and now it's 5:21 am in Brasil, and I was suffering with the pressure and came here to see if there was something and BAAAAM! There was you giving the solution _________________ Bb - Bach Stradivarius 37
C - Bach Stradivarius 229 25H MK tuning slide
Eb - Bach Stradivarius 304
Austin Custom Bras HH mouthpiece |
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etc-etc Heavyweight Member
Joined: 19 Jan 2008 Posts: 6188
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Posted: Fri Jan 04, 2013 1:13 am Post subject: |
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Troy,
Great idea - will try it out soon. |
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João Veteran Member
Joined: 10 Feb 2006 Posts: 184 Location: Portugal
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Posted: Fri Jan 04, 2013 3:06 am Post subject: |
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Thank you, Troy! I have two little girls. One with 2 years and another with 10 months... (And a violin player! My wife), at home.
I will try it this weekend...
Question: Do you practice with the silent brass headphones?
Kind regards
Joao _________________ 2 in one: Yamaha HGS bell and Bach Stradivarius 37 lead pipe.
Mouthpiece: Shilke 13a4a, V. Bach 1C ... |
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RicardoSigari Regular Member
Joined: 19 Nov 2012 Posts: 99 Location: São Paulo, Brasil
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Posted: Fri Jan 04, 2013 9:03 am Post subject: |
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I said you saved mi life, but that didn't work when I tested, that is really sad. My mute is from a brazilian guy that started making mutes recently, and they are really horrible, BUT it was what I could afford. I think I'm buying one made by Dillon... _________________ Bb - Bach Stradivarius 37
C - Bach Stradivarius 229 25H MK tuning slide
Eb - Bach Stradivarius 304
Austin Custom Bras HH mouthpiece |
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oxleyk Heavyweight Member
Joined: 12 Apr 2006 Posts: 4180
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Posted: Fri Jan 04, 2013 9:09 am Post subject: |
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I have to ask, Troy, what kind of trumpet to you have that this works on? I've tried it on all of mine and I can't get a note out on either of them.
I use a Bremner Shhhmute and have very little trouble with back-pressure.
Kent |
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thadjones1213 Veteran Member
Joined: 06 Apr 2011 Posts: 353 Location: Chicago
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Posted: Fri Jan 04, 2013 10:30 am Post subject: |
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It does create less back pressure but it changes some of the physics, especially those notes that line up with the water key hole, so you have to bring the vowel shape forward more like mouthpiece buzzing.
The "brighter" the sound concept the better it works, keeping it very focused. |
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Troy Sargent Veteran Member
Joined: 13 May 2012 Posts: 205
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Posted: Fri Jan 04, 2013 8:04 pm Post subject: |
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this could also be my horn design
the crook on my horn is a rounded crook rather than a box crook
also i have water keys (the push buttons) rather than spit valves (the levors with cork)
another thing that i noticed is if i play with the open horn and open the water key nothing really changes then either. so it could be that my horn has a bit of an ideal setup for his trick _________________ www.tsargentmusic.com |
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Troy Sargent Veteran Member
Joined: 13 May 2012 Posts: 205
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Posted: Fri Jan 04, 2013 8:06 pm Post subject: |
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i play on a french besson Bb
and Thad i thought that some of the physics would change and they do but for me it spaces the change between the open horn and the (silent brass) muted horn so its somewhere inbetween those
@joco yes i sometimes do but not always _________________ www.tsargentmusic.com |
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