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loudog
Heavyweight Member
Joined: 23 Nov 2001
Posts: 1444
Location: Hastings, NE
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 Posted: Fri Jan 02, 2004 10:31 am Post subject: |
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Has anyone done this? Where did you go to do it? I am thinking about having my spare Monette pieces cut down to Bach specs, so I can compare the different rates, etc. I know Osmun does it, with replating, but I was wondering if anybody knew of other places.
Also, I am curious to find what you have thought of the changes. Thanks!
Louie |
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bigbrowncow
Veteran Member
Joined: 11 Dec 2003
Posts: 124
Location: London, UK
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| Posted: Sat Jan 03, 2004 1:03 am Post subject: |
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I recall being told it was quite popular in the 70s - mouthpieces skeletonized to look more like jet-tones so they were more responsive.
There is some information here http://www.storkcustom.com/interview.htm
Steve
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Bach 43 custom |
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trumpetmike
Heavyweight Member
Joined: 15 Aug 2003
Posts: 11315
Location: Ash (an even smaller place ), UK
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| Posted: Sat Jan 03, 2004 1:40 am Post subject: |
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I have heard of trombonists and horn players doing this. No idea how it affects the mouthpiece.
Having got allegedly identical mouthpieces (Wick 1X) made with different shapes (one heavy top, one standard) the heavy top is vastly superior. I had these specifically for research purposes, yet the heavy top has joined my list of mouthpieces that I carry with me - I find it works very well on both my C trumpet and my G piccolo.
The big trend seems to be towards heavy mouthpieces at the moment, maybe this is the start of the backlash? |
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romey1
Heavyweight Member
Joined: 11 Jun 2003
Posts: 797
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| Posted: Sat Jan 03, 2004 4:44 am Post subject: |
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You will have better response, but less core to your sound.
romey |
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OCTA-C
Heavyweight Member
Joined: 29 Nov 2001
Posts: 759
Location: Kenmore, N.Y.
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| Posted: Sat Jan 03, 2004 11:51 am Post subject: |
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Mouthpieces have been skeletonized for various reasons. Many orchestral players have had it done to their favorite pieces to make them look like Bachs right down to the popular markings on the side to appease the conductor or director who insisted on a certain mouthpiece for that certain sound whether it fit the player or not! Some want that response or "feel" of the certain cut mouthpiece, whilr others just want that "look". Mark Curry has done work like this. http://www.currympc.com/new_page_7.htm
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Jay S.
"May the good sound be yours!"
"Always remember to blow into the proper end of the horn!"-circa. 1900 (Harry Gardoon) |
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