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chuck in ny Heavyweight Member
Joined: 23 Sep 2006 Posts: 3597 Location: New York
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Posted: Mon May 08, 2017 4:04 pm Post subject: bai lin |
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thanks all for your suggestions to delve into this material. i am doing this daily along with irons and am holding up to the extra slurring practice.
it was discussed that bai lin was somehow easier and less wear and tear than irons. i am on exercise 17 in bai lin. having a very long series of ascending and descending arpeggios your chops are completely warmed up before needing to hit the highest notes toward the end. both thought and sensitivity went into this. i noticed that the exercises further on were filled with octave jumps and partial jumps and assume the same level of insight and cleverness apply to them.
anyway i am having a very good time with the material and am progressing in a slow and steady manner. |
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dstdenis Heavyweight Member
Joined: 25 May 2013 Posts: 2123 Location: Atlanta GA
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Posted: Mon May 08, 2017 4:26 pm Post subject: |
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Bali Lin is a great method. Heed his advice from the beginning of the book: if you feel a section is too difficult or uncomfortable, don't hesitate to move back to an easier section. This material should be played with a free, easy, beautiful sound. The sections at the beginning are worthwhile too... almost therapeutic. They almost always seem to help my chops feel good again. _________________ Bb Yamaha Xeno 8335IIS
Cornet Getzen Custom 3850S
Flugelhorn Courtois 155R
Piccolo Stomvi |
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BBB1976 Veteran Member
Joined: 30 May 2016 Posts: 134
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Posted: Tue May 09, 2017 2:54 am Post subject: bai lin |
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Yes great stuff! These type of exercises are essential I think. Lovely book!
Phil Smith recommends these!
Don't forget all the other basics like tongueing, intervals etc........
I wish you all the confidence gained from bai Lin.
All the best. |
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tim_wolf Veteran Member
Joined: 28 Feb 2006 Posts: 379 Location: Lancaster, PA
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dstdenis Heavyweight Member
Joined: 25 May 2013 Posts: 2123 Location: Atlanta GA
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Posted: Tue May 09, 2017 5:55 pm Post subject: |
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Wow, I didn't know about these demo recordings. They sound great! _________________ Bb Yamaha Xeno 8335IIS
Cornet Getzen Custom 3850S
Flugelhorn Courtois 155R
Piccolo Stomvi |
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John Mohan Heavyweight Member
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Joined: 13 Nov 2001 Posts: 9830 Location: Chicago, Illinois
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Posted: Tue May 09, 2017 6:17 pm Post subject: |
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dstdenis wrote: | Heed his advice from the beginning of the book: if you feel a section is too difficult or uncomfortable, don't hesitate to move back to an easier section. This material should be played with a free, easy, beautiful sound. |
I just wanted to point out that the above is very good advice for all types of practice from the various Flexibility Books, Technical Studies, and other developmental material we practice.
Best wishes,
John Mohan _________________ Trumpet Player, Clinician & Teacher
1st Trpt for Cats, Phantom of the Opera, West Side Story, Evita, Hunchback of Notre Dame,
Grease, The Producers, Addams Family, In the Heights, etc.
Ex LA Studio Musician
16 Year Claude Gordon Student |
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MrClean Heavyweight Member
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Joined: 27 Feb 2003 Posts: 2734 Location: Los Angeles
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Posted: Wed May 10, 2017 2:26 pm Post subject: |
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dstdenis wrote: |
Wow, I didn't know about these demo recordings. They sound great! |
Thanks for the kind words, guys. The e-version of the Bai Lin book from Balquhidder has a demo for almost all of the exercises (I play the first "key" of each one) except a couple near the end of the book that I could not quite get to sound good. We probably put a couple in there that we shouldn't have, lol.
J _________________ Jim Wilt
LA Philharmonic
Colburn School |
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dbacon Heavyweight Member
Joined: 11 Nov 2001 Posts: 8592
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Posted: Thu May 11, 2017 11:26 am Post subject: |
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DB
Last edited by dbacon on Mon Jun 20, 2022 1:51 pm; edited 1 time in total |
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EdMann Heavyweight Member
Joined: 31 Mar 2007 Posts: 2481 Location: The Big Valley
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Posted: Fri May 19, 2017 12:34 pm Post subject: |
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I LIVE in this book ever since Michael Sachs turned me onto it. It's perfect for me.
ed |
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