• FAQ  • Search  • Memberlist  • Usergroups   • Register   • Profile  • Log in to check your private messages  • Log in 

Help with Haydn



 
Post new topic   Reply to topic    trumpetherald.com Forum Index -> Literature
View previous topic :: View next topic  
Author Message
Graham Altham-Lewis
Regular Member


Joined: 12 Dec 2003
Posts: 31

PostPosted: Fri Jan 30, 2004 1:08 am    Post subject: Reply with quote

My edition of the Haydn concerto is Boosey and Hawkes and is edited by Ernest Hall.

I have been listening to both Wynton Marsalis and Harden Hakenberger play it to get different interpretations of style/articulation etc.

Anyway whwn I was annotating mine with how they play it I found out they both play it differently to how mine is written.

3rd movement bar 200.

My edition (Bb) top C, thenA, F, E, G and then back up to top C. These two bars are then repeated but the last note is a C in the staff as opposed to a top C.

Anyway....Marsalis and Hakenberger both play it not going back to the top C the first time as my edition does but by going to the C in the staff at the end both times.

Which is correct?

Cheers

Gaham.
Back to top
View user's profile Send private message
oj
Heavyweight Member


Joined: 06 Jan 2003
Posts: 1699
Location: Norway

PostPosted: Fri Jan 30, 2004 2:39 am    Post subject: Reply with quote

Graham,

Have a look here:

http://abel.hive.no/trumpet/haydn/

There you will see the Paul Handke copy of the original manuscript (in PDF format).
Often in newer editions there are a lot of (strange?) dynamic- and phrase- markings. The intro (bar 8 + bar 13 - 16) is also often left out.

Ole
Back to top
View user's profile Send private message Send e-mail Visit poster's website
Nonsense Eliminator
Heavyweight Member


Joined: 03 Feb 2003
Posts: 5212
Location: Toronto

PostPosted: Fri Jan 30, 2004 8:33 am    Post subject: Reply with quote

It should go to the lower C both times. I would suggest finding a copy of the Henle edition, which is the most scholarly edition I've seen. There are a lot of editions of the Haydn with really wacky articulations added by the editors without comment.
Back to top
View user's profile Send private message Send e-mail
Mr. Stomvi
Heavyweight Member


Joined: 01 Apr 2002
Posts: 1062

PostPosted: Sat Jan 31, 2004 1:21 pm    Post subject: Reply with quote

Hey NE - Question for ya. Ya ever heard of a recording or a performance of the Haydn, Hummel or Neruda on an Eb cornet ?

Thanks in advance

Seth Moore
_________________
"He has Van Gogh's ear for music."

Billy Wilder
Back to top
View user's profile Send private message
trumpetchad
Veteran Member


Joined: 11 Jun 2003
Posts: 480
Location: Bethel Park, PA

PostPosted: Sat Jan 31, 2004 3:49 pm    Post subject: Reply with quote

I think the Ed Tarr version is generally regarded as one of the best transcripts of the piece. Tarr has long been a great trumpet historian... I would tend to go along with anything trumpet-history related that he has released.
Back to top
View user's profile Send private message Visit poster's website
Graham Altham-Lewis
Regular Member


Joined: 12 Dec 2003
Posts: 31

PostPosted: Sun Feb 01, 2004 9:07 am    Post subject: Reply with quote

Thank you very much for your help and replies. Happy playing!

Graham.
Back to top
View user's profile Send private message
hazmat
Heavyweight Member


Joined: 23 Mar 2003
Posts: 669

PostPosted: Sun Feb 08, 2004 4:49 pm    Post subject: Reply with quote

Referring to the Paul Handke copy. It does have mistakes in it so don't base everything on that. Not that you would anyway. And there is a page missing from the file if I remember correctly.
Back to top
View user's profile Send private message
trumpetmike
Heavyweight Member


Joined: 15 Aug 2003
Posts: 11315
Location: Ash (an even smaller place ), UK

PostPosted: Mon Feb 09, 2004 12:16 am    Post subject: Reply with quote

They are not the first to play that high C, they probably won't be the last.

Many players use the music as a general guide, allowing them to embellish upon it. Maurice Andre has been known to take the end of the concerto up an octave. John Wallace adds in lots of passing notes all over the second movement.
If you get hold of a decent edition (Ed Tarr's is the best I have found), listen to lots of recordings (if you can find them, go for the ones on keyed trumpet - hear how it was supposed to sound) then start playing this piece as you, rather than your version of Wynton, Hakan or whoever.
Take the best bits from each version and put them together to form yours, should it make sense to do so.
Back to top
View user's profile Send private message Send e-mail Visit poster's website
Display posts from previous:   
Post new topic   Reply to topic    trumpetherald.com Forum Index -> Literature All times are GMT - 8 Hours
Page 1 of 1

 
Jump to:  
You cannot post new topics in this forum
You cannot reply to topics in this forum
You cannot edit your posts in this forum
You cannot delete your posts in this forum
You cannot vote in polls in this forum


Powered by phpBB © 2001, 2005 phpBB Group