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Jon_Manness Regular Member
Joined: 08 Jul 2018 Posts: 26 Location: Los Angeles, CA
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Posted: Tue Mar 26, 2019 11:55 am Post subject: Love RI #3 |
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I just wanted to say how well BE and specifically RI #3 have been maintaining my chops. My practice schedule has been shortened the past month with the birth of my daughter, so I have had to be more efficient with getting ready to play.
Bottom line, if I don't do RI #3, my corners blow out and I can't resist the air properly in the upper register. I do vary the exercise to keep things interesting, but I keep the spirit of the exercise by staying rolled-in and starting on top of the staff. When I come back to the trumpet later in the day, I always start with RI #3 to get my chops focused.
And in case people are curious what my range is like, I'm a consistent, screaming high-A guy now, thanks to BE (with a big assist to my Stomvi-USA LynnFlex CC mpc).
-Jon _________________ Jon Manness
Stomvi VR-II Big Bell
Stomvi Master
Stomvi Elite Copper Flugel
'37 Conn 80a Cornet
'42 Conn 22b Trumpet
Stomvi-USA Mouthpieces |
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trumpetteacher1 Heavyweight Member
Joined: 11 Nov 2001 Posts: 3404 Location: Garland, Texas
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Posted: Fri Mar 29, 2019 8:58 am Post subject: |
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Thanks for your input, Jon!
I don't know exact percentages, but players doing RI and RO exercises tend to favor one over the other. For players who favor the RI exercises, I think you are right. Number 3 tends to be very important. For those who favor RO, the RO #3 exercise seems to be the most valuable for quickly establishing the correct "feel."
Jeff |
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tjilp Regular Member
Joined: 09 Feb 2016 Posts: 22 Location: Netherlands
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Posted: Tue May 14, 2019 4:20 am Post subject: |
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After 3 years of practicing BE, both RI and RO are now my basic daily push-ups.
Maybe RI is more kind-of static lip position, while RO is a bit more dynamically applied, but basically I use them both in one integrated embouchure, which is more or less the same in all registers.
(For me, RI & RO come together in the "p"-attack: start a note without tonguing, forming a "p" or "mp" with the lips. (The m is the RI, the p the RO)
I do this exercise on quarter notes).
So, for me, RI and RO need equal maintenance to keep making progress in sound and range. (But I'm not a screaming high-A guy, yet...)
Maarten _________________ Yamaha 8310Z trumpet, Warburton 5MD/8* mpc
Yamaha 6310Z flugelhorn, Yamaha 11F4 mpc |
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