View previous topic :: View next topic |
Author |
Message |
Trumpet1Ohio Veteran Member
Joined: 28 Mar 2005 Posts: 457 Location: Columbus, Ohio 43213
|
Posted: Mon May 13, 2019 2:13 pm Post subject: Benge 3x+ |
|
|
I would like comments on a nice LA Benge 3x+ that I picked recently. I have played quite a few ML horns including 3x Benges. I decided to get the larger horn as a more appropriate horn as I play lead in a big band and occasionally in a rock band or two. The new horn sounds great as I play it at home...great sound and range. However, when I play it in rehearsals or gigs, the horn feels stuffy,is difficult to blow it and is difficult to hear myself. Also, when I got it I was having trouble playing in tune. That problem seems to have faded away as I play it more.
I would appreciate information to let me know if this typical, gets better with time as I get used to it, if that's typical or I have an atypical horn.
Thank you for your input. _________________ Ken
LA Benge 3X+ |
|
Back to top |
|
|
Yamahaguy Heavyweight Member
Joined: 09 Dec 2004 Posts: 3992
|
Posted: Mon May 13, 2019 3:14 pm Post subject: |
|
|
Hi Ken,
There could be several reasons for this including leadpipe/gap, valve wear
and/or alignment, and backbore choice.
The serial # will dictate age of the horn and might also be a factor. Some
Benge fanatics (like me) are partial to certain ranges.
Feel free to PM me and I can give you more specifics if you'd like..
Peace,
Dennis |
|
Back to top |
|
|
Brad361 Heavyweight Member
Joined: 16 Dec 2007 Posts: 7080 Location: Houston, TX.
|
Posted: Tue May 14, 2019 5:45 am Post subject: |
|
|
What Dennis said above.
I have an LA 3X+, I use it with a funk/rock/r&b band, and have NONE of the difficulties the OP described. I would send it to someone like Flip Oakes or Steve Winans, I’m sure those guys could address the problems.
Brad _________________ When asked if he always sounds great:
"I always try, but not always, because the horn is merciless, unpredictable and traitorous." - Arturo Sandoval |
|
Back to top |
|
|
yourbrass Heavyweight Member
Joined: 12 Jun 2011 Posts: 3636 Location: Pacifica, CA, USA
|
Posted: Tue May 14, 2019 6:05 am Post subject: |
|
|
You never really know about a horn until you take it on a job. If your problems persist during performance, sell it and get another one. They aren't rare, and many are really great trumpets. _________________ "Strive for tone." -John Coppola
Edwards X-13
ACB MV3C /ACB A1/26 backbore
https://yourbrass.com/ |
|
Back to top |
|
|
Brad361 Heavyweight Member
Joined: 16 Dec 2007 Posts: 7080 Location: Houston, TX.
|
Posted: Tue May 14, 2019 6:37 am Post subject: |
|
|
yourbrass wrote: | You never really know about a horn until you take it on a job. If your problems persist during performance, sell it and get another one. They aren't rare, and many are really great trumpets. |
Or, maybe have the one you just bought fixed?
I agree that there are lots of Benges, especially LA vintage, floating around out there, but don’t you think that the problems described could be addressed? There are of course cases where the repair costs outweigh the horn’s value, but that’s the route I would probably try before I just sell the horn.
Brad _________________ When asked if he always sounds great:
"I always try, but not always, because the horn is merciless, unpredictable and traitorous." - Arturo Sandoval |
|
Back to top |
|
|
HaveTrumpetWillTravel Heavyweight Member
Joined: 30 Jan 2018 Posts: 1021 Location: East Asia
|
Posted: Tue May 14, 2019 6:42 am Post subject: |
|
|
The issue may be related to projection. A while back there was a thread on hearing yourself in a section, and the instrument does make a difference. It would nice if someone could help let you know how you sound out front. You may sound excellent but not be able to hear yourself as well as on other horns? |
|
Back to top |
|
|
Brad361 Heavyweight Member
Joined: 16 Dec 2007 Posts: 7080 Location: Houston, TX.
|
Posted: Tue May 14, 2019 7:01 am Post subject: |
|
|
HaveTrumpetWillTravel wrote: | The issue may be related to projection. A while back there was a thread on hearing yourself in a section, and the instrument does make a difference. It would nice if someone could help let you know how you sound out front. You may sound excellent but not be able to hear yourself as well as on other horns? |
Anything is possible, but I would not think that stuffiness or a difficult blow would be related to projection/player feedback. Having someone listen out front might be helpful, but the problems being described sound to me like they might be related to valve alignment, leaking valves/slides, mouthpiece gap, etc. My 3X+ has been “enhanced” by Flip Oakes, and had a valve rebuild by Steve Winans (both totally worth the cost, IMO), but even BEFORE either of those were done, I didn’t notice a problem with player feedback. Every horn is different, of course.
Brad _________________ When asked if he always sounds great:
"I always try, but not always, because the horn is merciless, unpredictable and traitorous." - Arturo Sandoval |
|
Back to top |
|
|
shofarguy Heavyweight Member
Joined: 18 Sep 2007 Posts: 7013 Location: AZ
|
Posted: Tue May 14, 2019 7:34 am Post subject: |
|
|
I once played a borrowed Benge 3X in a sports arena for Easter. It was a Burbank era horn from the 1960s. At the time, my friend was playing my 5X, since his damaged CG had come apart at a couple of solder joints.
That 3X could not be heard behind the bell in a large, amplified ensemble. The only way I knew how I sounded was to listen to my signal in the standing monitor. That was the most difficult performance situation I've ever had playing trumpet. I have no idea why that particular 3x had that problem. No other Benge I've ever played has had such poor feedback.
I have also partnered with Flip Oakes testing various Wild Thing trumpets in his shop. I've written before how certain individual trumpets seem to consolidate their sound as much as 18" out in front of the bell, while others do it back near the valves. Most trumpets consolidate their sound at the end of the bell just inside the throat or just out beyond the rim.
Keep in mind that it was always Flip playing each horn back-to-back with the same mouthpiece and that he sets the gap as part of his Total Enhancement preparation for his horns. So, the variables were minimized.
I don't know why or how this variation occurs, but it does. You may have the odd trumpet that, like that Burbank 3X, just has poor feedback. Your horn may need a valve alignment and bore correction to remove reflective anomalies that are on the inside. It may even be that a change in mouthpiece blank stye would solve your issue. I've seen that, too. _________________ Brian A. Douglas
Flip Oakes Wild Thing Bb Trumpet in copper
Flip Oakes Wild Thing Flugelhorn in copper
There is one reason that I practice: to be ready at the downbeat when the final trumpet sounds. |
|
Back to top |
|
|
Bogey Factory Regular Member
Joined: 09 Jan 2019 Posts: 56 Location: Springfield, MO
|
Posted: Tue May 14, 2019 9:39 am Post subject: |
|
|
The LA 3x+ I had was not good for player feedback in an ensemble. It projected fine and had a lovely sound but I couldn't hear myself in a section. _________________ Justin Shaw |
|
Back to top |
|
|
yourbrass Heavyweight Member
Joined: 12 Jun 2011 Posts: 3636 Location: Pacifica, CA, USA
|
Posted: Tue May 14, 2019 4:08 pm Post subject: |
|
|
Brad361 wrote: | yourbrass wrote: | You never really know about a horn until you take it on a job. If your problems persist during performance, sell it and get another one. They aren't rare, and many are really great trumpets. |
Or, maybe have the one you just bought fixed?
I agree that there are lots of Benges, especially LA vintage, floating around out there, but don’t you think that the problems described could be addressed? There are of course cases where the repair costs outweigh the horn’s value, but that’s the route I would probably try before I just sell the horn.
Brad |
Impossible to judge without looking at it and play testing. But if someone is good enough to go out and play jobs, I figure they would know if there's a problem. Yes, get the horn looked at, see if there's anything obvious that needs correcting. If there isn't, I wouldn't struggle w/it, get rid of it. _________________ "Strive for tone." -John Coppola
Edwards X-13
ACB MV3C /ACB A1/26 backbore
https://yourbrass.com/ |
|
Back to top |
|
|
Ed Kennedy Heavyweight Member
Joined: 15 Jan 2005 Posts: 3187
|
|
Back to top |
|
|
Rickperon Veteran Member
Joined: 28 Nov 2006 Posts: 126 Location: Tucson, AZ
|
Posted: Tue May 14, 2019 6:59 pm Post subject: |
|
|
Hello Ken,
I seemed to have had the same problem over the years. For the majority of my playing career I've played Benge Trumpets, mainly an LA 5X, and LA CG.... at one time I owned all three at the same time. This last time that I purchased a beautiful 3X+, I bought it actually remembering that the reason I quit playing one years ago was because of just that, but thought that maybe this time it would be different. Same thing, sounded great at home, in the studio, but when playing in a section, (Big Band), I felt like I just could not produce a sound where I felt like I was blending, playing in tune or projecting.... there just seemed to be not enough feed back this side of the horn. Or playing R&B or Salsa, was even worse. Take it out the next day at home, felt great! I also have similar problems playing my Yamaha Z horn. So, I sold the 3X+, but I did have friends play it (at home) and said the horn played great. I mostly play my 5X, and occasionally the CG, for most commercial stuff I do, I like playing my Z horn with a large M.P. to play tradjazz. I think horns just simply resonate different for each individual. Oddly enough, I had the same problem with the Kanstul version 1001... if I remember correctly. Maybe it was just coincidence. If you know someone who plays a 5X or CG, maybe they would let you compare during a rehearsal or gig? Might help. Take care. |
|
Back to top |
|
|
Ozzbo Veteran Member
Joined: 16 Feb 2011 Posts: 137 Location: New York
|
Posted: Wed May 15, 2019 12:43 pm Post subject: |
|
|
Ken,
I suggest you take more time with the horn and play it in all types of settings especially large ensembles and venues. It might be that you have to get more accustomed to the blow of the 3X+ across the spectrum of playing possibilities. Your approach to the blow and relative resistance of the 3X+ has to be addressed in the way you play this horn as opposed to what you have been accustomed to. That is very often the case when going from ML to L, or L to M bore horns such as the 6310, 8310, Connstellations, and other older Conns.
Ozzy |
|
Back to top |
|
|
veery715 Heavyweight Member
Joined: 13 Aug 2007 Posts: 4313 Location: Ithaca NY
|
Posted: Wed May 15, 2019 1:01 pm Post subject: |
|
|
Lack of adequate feedback in an ensemble environment can result in a horn feeling stuffy. Playing outside can cause the same problem. There is little one can do to compensate for this as the natural tendency is to want to hear what you are playing, and overblowing will make the system push back at you!
I fear you will not be able to change this and that trumpet will just frustrate you. _________________ veery715
Hear me sing!: https://youtu.be/vtJ14MV64WY
Playing trumpet - the healthy way to blow your brains out. |
|
Back to top |
|
|
Trumpet1Ohio Veteran Member
Joined: 28 Mar 2005 Posts: 457 Location: Columbus, Ohio 43213
|
Posted: Thu May 16, 2019 4:56 pm Post subject: |
|
|
Thanks for all your comments. I will reply to them after reading through all again
I appreciate you all. _________________ Ken
LA Benge 3X+ |
|
Back to top |
|
|
Trumpet1Ohio Veteran Member
Joined: 28 Mar 2005 Posts: 457 Location: Columbus, Ohio 43213
|
Posted: Sun May 19, 2019 11:26 am Post subject: My 3x+ |
|
|
First if all I want to thank you for the feedback from you guys. Hearing the comments helped a lot.
I've played/owned quite a few horns. When I went to college, many years ago I was turned onto Benge trumpets by my a good friend, John Harner of Stan Kenton band. John worked at a music store then and got me a great buy for a Burbank 3x. Played and owned it until it was kind of tired. Up till then it was a tremendous horn. After that I both owned and played many horns but kept going back to Benge horns, but never that played like my old 3x.
Now, I've owned three 3x+ horns. This one, is the best one I've owned. Best sound and intonation. The one I have now is very good but is only causing me the problem I shared. I haven't had good opportunities to get a player to sit out of the band in a rehearsal or gig. Have a rehearsal later this week and will have a chance. The other thing that has come up is that Prior to purchasing it, the horn bell had been banged up and repaired. The repair was very well done and is not visible. It's only noticeable if I wrap my hand around the surface. Might that be that the repair effected the ring of the bell, etc.
Thanks for your help. Will appreciate any additional thoughts.
Yours, _________________ Ken
LA Benge 3X+ |
|
Back to top |
|
|
|
|
You cannot post new topics in this forum You cannot reply to topics in this forum You cannot edit your posts in this forum You cannot delete your posts in this forum You cannot vote in polls in this forum
|
Powered by phpBB © 2001, 2005 phpBB Group
|