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Horn now stiff and unresponsive



 
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bundah
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Location: Australia

PostPosted: Thu Oct 17, 2019 10:49 pm    Post subject: Horn now stiff and unresponsive Reply with quote

Hi Everyone,
I'll keep it brief but the situation is as follows:
12 months ago I bought a Burbank Benge and loved it! Lightweight, nimble, and loads of sparkle - everything I love in a horn.
Fast forward to now and I can't put my finger on the cause but things have changed - the sparkle and nimbless have gone and the horn feels "stiff" to play. It used to feel alive but now I just can't get it to work the way I would like. The lightning response is gonešŸ˜¢
Is there something in my approach that I have messed up? The horn is in good condition, although it's about time for a valve rebuild. It's also extremely sensitive to minute changes - believe it or not even removing the "o" rings on the slides alters the blow drastically, let alone switching the valve caps around!
Anyway, all input is appreciated.
Cheers!
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Tpt_Guy
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PostPosted: Fri Oct 18, 2019 1:09 am    Post subject: Reply with quote

It's probably not only the horn.

What is your usual practice routine? How much time do you spend and on what? Is your routine balanced?

I've had instances where I've experienced a decline somewhere so I devoted more time to it and threw the balance of my routine out of whack, making the situation worse. It wasn't until I took a step back and reviewed fundamentals that I started making progress again.

I've also gotten new equipment and played the hell out of it in ways I normally wouldn't and had to repair myself, again with putting the fundamentals back in.

Sometimes the urge to keep banging away to work through a difficulty is a detriment. Sometimes it's better to either put the horn away or work on something else.

All this said, get the horn checked out anyway. Sometimes it is the equipment, not the player.
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Dayton
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PostPosted: Fri Oct 18, 2019 1:29 am    Post subject: Reply with quote

Quote:
The horn is in good condition, although it's about time for a valve rebuild.


If the valves are loose enough that you are losing compression that could explain some/all of what is going on. Have your local repair tech look it over. Better yet, send it to Jim Becker at Osmun Music, Charlie Melk, Steve Winans or one of the other top trumpet techs so that they can offer you some recommendations.

Quote:
Is there something in my approach that I have messed up?


Make sure there isn't a mechanical problem before you start changing your approach.

Good luck!
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jadickson
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PostPosted: Fri Oct 18, 2019 2:34 am    Post subject: Reply with quote

Check the water key cork. If it is worn at all, replace it. This makes a surprisingly big difference.
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James Becker
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PostPosted: Fri Oct 18, 2019 4:04 am    Post subject: Reply with quote

jadickson wrote:
Check the water key cork. If it is worn at all, replace it. This makes a surprisingly big difference.


I second this suggestion, particularly if you are sensitive to small changes. Also, use natural cork. For some reason the response is better than with synthetics.
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OldSchoolEuph
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PostPosted: Fri Oct 18, 2019 5:13 am    Post subject: Reply with quote

James Becker wrote:
jadickson wrote:
Check the water key cork. If it is worn at all, replace it. This makes a surprisingly big difference.


I second this suggestion, particularly if you are sensitive to small changes. Also, use natural cork. For some reason the response is better than with synthetics.

+1 on this, as it is the most frequent source of this complaint I have seen.

However, if that is not it, and if the valves leak, what oil had been used in it before you, what was on it when you liked it, and is it thinner now? Leaking valves make horns act stuffy, dead, and eventually unplayable.

The comment about the slide O-rings worries me a bit. I have seen horns where Ebay sellers (not sure where you got this) sanded down slides and pistons so that everything worked really smoothly - and leaked. How do the slides fit?
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JayKosta
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PostPosted: Fri Oct 18, 2019 5:37 am    Post subject: Reply with quote

Also clean the mouthpiece - use a brush if it bad. I always clean/dry the mpc with a Q-tip after every use.

Also clean the leadpipe every month or so - I use a 'pull-thru' and a cloth patch.

Jay
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JayKosta
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PostPosted: Fri Oct 18, 2019 6:41 am    Post subject: Reply with quote

OldSchoolEuph wrote:
...
The comment about the slide O-rings worries me a bit. ...

------------------------------------------
I don't think those o-rings are used to control compression or leakage.

Those o-rings go around the 'inside end' of the male slide tubes to prevent the slides from clicking when they are quickly closed.

Jay
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Most Important Note ? - the next one !
KNOW (see) what the next note is BEFORE you have to play it.
PLAY the next note 'on time' and 'in rhythm'.
Oh ya, watch the conductor - they set what is 'on time'.
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OldSchoolEuph
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PostPosted: Fri Oct 18, 2019 6:50 am    Post subject: Reply with quote

JayKosta wrote:
OldSchoolEuph wrote:
...
The comment about the slide O-rings worries me a bit. ...

------------------------------------------
I don't think those o-rings are used to control compression or leakage.

Those o-rings go around the 'inside end' of the male slide tubes to prevent the slides from clicking when they are quickly closed.

Jay


They shouldn't be. But as a practical matter, when the slide is in, they will seal a leaking slide (try an Allora Aere plastic trumpet some time - only way to seal the slide, though it will still blow/fall off if you let go).
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Yamahaguy
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PostPosted: Fri Oct 18, 2019 7:03 am    Post subject: Reply with quote

After a year, it could use a good chem clean I'm sure...any build up will
definitely change sound and feel.
And of course worn valves and/or alignment will also affect performance.

FWIW, I second (third?) sending to Jim Becker at Osmun for cleaning and
valve alignment. They currently have one of my Burbank Benges for this exact
service!
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JayKosta
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PostPosted: Fri Oct 18, 2019 8:53 am    Post subject: Reply with quote

Check to see if something fell into the bell!
Pencil, bottle cap, tissue, etc.

Jay
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Most Important Note ? - the next one !
KNOW (see) what the next note is BEFORE you have to play it.
PLAY the next note 'on time' and 'in rhythm'.
Oh ya, watch the conductor - they set what is 'on time'.
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James Becker
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PostPosted: Fri Oct 18, 2019 9:28 am    Post subject: Reply with quote

In defense of players that donā€™t want O-rings on their slides, consider the dampening effect they can have on your instrument. Heck, Iā€™ve been told by a respected professional that he didnā€™t care for how his trumpet sounded with steel valve springs. Iā€™m not making this up. Apparently there are some very perceptive players out there.
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James Becker
Brass Repair Specialist Since 1977
Osmun Music Inc.
77 Powdermill Road Rt.62
Acton, MA 01720
www.osmun.com

Our workshop is as close as your nearest UPS store https://www.ups.com/dropoff?loc=en_US
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HERMOKIWI
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PostPosted: Fri Oct 18, 2019 10:54 am    Post subject: Reply with quote

Sudden dramatic changes in the way a horn plays/responds are typically related to some problem that has rapidly materialized. Examples would be something suddenly clogging the horn and/or mouthpiece, a suddenly leaking water key cork, etc. Gradual changes like additional valve wear don't typically make sudden dramatic changes in performance.

That being said, what you describe is consistent with a horn that needs a valve rebuild so that certainly should be considered if no other cause is found. The deterioration in the horn's performance might not be as drastic as perceived. It may have exhibited signs at the beginning which were not particularly noticed by the OP due to the enthusiasm associated with getting a new (for him) horn. Maybe not, but it's a possibility.
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J-Walk
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PostPosted: Fri Oct 18, 2019 12:29 pm    Post subject: Reply with quote

JayKosta wrote:
Also clean the mouthpiece - use a brush if it bad. I always clean/dry the mpc with a Q-tip after every use.

Also clean the leadpipe every month or so - I use a 'pull-thru' and a cloth patch.

Jay


^^^This^^^

...I play an old Benge as well, and it is more sensitive to dirty mouthpieces or lead pipes than any horn Iā€™ve ever had. I have to keep the horn very clean for it to play and sound its best.
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Brad361
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PostPosted: Fri Oct 18, 2019 4:39 pm    Post subject: Reply with quote

James Becker wrote:
In defense of players that donā€™t want O-rings on their slides, consider the dampening effect they can have on your instrument. Heck, Iā€™ve been told by a respected professional that he didnā€™t care for how his trumpet sounded with steel valve springs. Iā€™m not making this up. Apparently there are some very perceptive players out there.


I believe the above to be very true. Depending on who changes what on which horn, sometimes what most might consider insignificant definitely affects play characteristics. I once put a valve guard on a Getzen Severinsen (I no longer use those things), and it made a significant difference; it seemed to noticeably deaden the instrument.

As for O rings on slides, wouldnā€™t they very slightly affect pitch, at least on horns not designed with them originally? Plus, with a possible exception of recording, have you ever been told that your slides clicking closed is noticeable? (By someone other than an OCD-stricken trumpet player sitting right next to you)?

Brad
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Ed Kennedy
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PostPosted: Fri Oct 18, 2019 4:53 pm    Post subject: Reply with quote

I once took in a YTR6345 that played like s*&^t. The customer traded it in on an old Bach. After thoroughly checking it out, I ran a chaser through the bell from the valve port and out came a pencil stub. It turned out to be a fine instrument, I gigged with it for about 6 months after.
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James Becker
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PostPosted: Sat Oct 19, 2019 4:52 am    Post subject: Reply with quote

Ed Kennedy wrote:
I once took in a YTR6345 that played like s*&^t. The customer traded it in on an old Bach. After thoroughly checking it out, I ran a chaser through the bell from the valve port and out came a pencil stub. It turned out to be a fine instrument, I gigged with it for about 6 months after.


Ed, thatā€™s awesome! What a great story.

That reminds me of the trombone player that came to me after a major audition where heā€™d struggled to play, but ā€œpowered through itā€ any way. Turns out after pulling the main tuning slide I found a clothespin lodged in the upper tube! Heā€™s a mighty strong and talented player to have continued to play with it that way. Like many auditions where we ask ourselves had things been different, what may have been?

In all my years of brass repair Iā€™m grateful not to have had to remove worse, like a dead animal.

That reminds me, my coworker once extracted a Barbi doll from a tuba!

Oh the stories we could tell...
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James Becker
Brass Repair Specialist Since 1977
Osmun Music Inc.
77 Powdermill Road Rt.62
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www.osmun.com

Our workshop is as close as your nearest UPS store https://www.ups.com/dropoff?loc=en_US
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shofarguy
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PostPosted: Sat Oct 19, 2019 5:32 am    Post subject: Reply with quote

I used to own a 1976 LA Benge 5X. It got to where it needed a valve rebuild and slides refitted, as they were all pretty loose. These didn't make the horn stiff. Rather they made it so loose it was fairly uncontrollable.

When I did have the slides refitted and the valves rebuilt, the horn came together with great resonance, good slotting with good agility and what I called "The Dance" that is such a core attraction for Benge players.

In my experience, what makes a Benge lose it's sparkle is built up gunk in the horn, or a poorly fit mouthpiece with way too much gap. I've never played a trumpet with something stuck in it, so I don't know what that's like.

The other thing that I've experienced that made my horn stiff was putting vintage Besson bottom caps on the cases. The only difference between the Benge and Besson caps was a small, flat washer size ring around the inside of each cap's vent hole. That tiny bit of added brass killed the free response of my Benge.

Is there something you've changed recently?

Oh, and inspect the mouthpiece receiver for a split.
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James Becker
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PostPosted: Sat Oct 19, 2019 7:46 pm    Post subject: Reply with quote

Iā€™ve stated this before, but will again here.

At the shop we will inspect and perform our diagnostic tests for FREE on any instrument. We can provide you the data you need to make informed decisions about what is required to get your instrument in peak condition.

If you have doubts, reach out, call, email or book your appointment online.

We look forward to hearing from you. Thanks!
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James Becker
Brass Repair Specialist Since 1977
Osmun Music Inc.
77 Powdermill Road Rt.62
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www.osmun.com

Our workshop is as close as your nearest UPS store https://www.ups.com/dropoff?loc=en_US
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lipshurt
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PostPosted: Sun Oct 20, 2019 8:08 am    Post subject: Reply with quote

This sounds like something that I have had happen a few times over the years: I have played many horns that most folks would consider ā€œvintageā€ but really are just great playing horns. You get a horn thatā€™s been in storage maybe for decades, and you clean it up a bit and it plays great. Replace water keys, line up slides, relieve pressure in the braces, PVA, do a vacuum or pressure test and itā€™s pretty good, etc and youā€™re set. You notice after about two weeks that the valves have a slight discoloration in the oil on them. When you wipe with a piece of paper the paper has a brownish tint to the oil stain. Then after about 6 months that no longer happens. The cacuum or pressure test now show about half as good, and the Horn doesnā€™t play like it did, and that sneaks up on you because there was some kind of coating of dirt on the valves that gradually wears away, or maybe the coating is on the inside of the casings. When that coating is worn off they leak. Iā€™ve seen it on horns that had been ultrasonically cleaned (or that claim was made). Only thing to do is valve rebuild. Which is worth it if you like the Horn even with loose valves
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