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deesson Regular Member
Joined: 11 Aug 2011 Posts: 35 Location: Long Island, NY
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Posted: Wed Dec 15, 2021 5:53 am Post subject: Drawn-in Cheeks |
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Can someone explain what it means to have drawn in cheeks.
What is actually happening? What does it look like?
What causes it?
Thanks. |
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BeboppinFool Donald Reinhardt Forum Moderator
Joined: 28 Dec 2001 Posts: 6437 Location: AVL|NC|USA
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Posted: Fri Dec 17, 2021 2:28 pm Post subject: Re: Drawn-in Cheeks |
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deesson wrote: | Can someone explain what it means to have drawn in cheeks.
What is actually happening? What does it look like?
What causes it?
Thanks. |
I just remember Doc telling the story about the guy who couldn't play so well, and when the guy left the room Doc noticed some blood on a paper towel in the wastebasket, and it turned out the guy was pulling in his cheeks to the point where his teeth were cutting him.
I don't remember the solution too much beyond Doc having to coach him to puff his cheeks out. _________________ Puttin’ On The Ritz |
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JayKosta Heavyweight Member
Joined: 24 Dec 2018 Posts: 3380 Location: Endwell NY USA
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Posted: Fri Dec 17, 2021 3:08 pm Post subject: |
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I think it might be similar to the facial expression that Morgan Freeman sometimes had -
https://soaphub.com/general-soap-operas/soap-opera-history/morgan-freeman-facts-celebrities-who-started-on-soaps/
Perhaps some students learn to
'hold cheeks in tight'
and opposed to
'prevent cheeks from relaxing or puffing out' _________________ Most Important Note ? - the next one !
KNOW (see) what the next note is BEFORE you have to play it.
PLAY the next note 'on time' and 'in rhythm'.
Oh ya, watch the conductor - they set what is 'on time'. |
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american boy Veteran Member
Joined: 22 Sep 2012 Posts: 344 Location: ny
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Posted: Fri Dec 17, 2021 5:10 pm Post subject: |
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I played a few times in the late 70s with Bob McCoy,for whoever does`nt
know, was a great NY lead player and fantastic and funny person; While I never studied with him, I had friends who did, and made mention of an exercise Bob gave some of them to suck in their cheeks and hold to I guess strengthen those muscles? Might have called it the fish..But this was long ago and I might be wrong.
Again, I never studied with Bob, but I do know from several that did, that this was an important part of what he taught;
Maybe somebody on here knows about this? |
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JayKosta Heavyweight Member
Joined: 24 Dec 2018 Posts: 3380 Location: Endwell NY USA
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Posted: Sat Dec 18, 2021 7:06 am Post subject: |
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american boy wrote: | ... mention of an exercise Bob gave some of them to suck in their cheeks and hold to I guess strengthen those muscles? ... |
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The 'suck in cheeks' can be achieved by a lowered jaw position and lip adjustment - perhaps the resulting embouchure setting obtained by doing this was the point of the exercise - and not specifically the position of the cheeks themself.
The question is: what 'functionality' was the goal?
The 'method' of using cheek appearance might have been the 'teaching tool' used as a way to express the idea. _________________ Most Important Note ? - the next one !
KNOW (see) what the next note is BEFORE you have to play it.
PLAY the next note 'on time' and 'in rhythm'.
Oh ya, watch the conductor - they set what is 'on time'. |
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BeboppinFool Donald Reinhardt Forum Moderator
Joined: 28 Dec 2001 Posts: 6437 Location: AVL|NC|USA
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Posted: Sat Dec 18, 2021 9:47 am Post subject: |
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Okay, if people are coming here to find out about the teachings of Donald S. Reinhardt, I'm pretty sure that's not what they're getting in the past few posts.
I am convinced that Doc would have never advocated for sucking in your cheeks to play. I hope Doug will get on here and reassure me that I'm speaking the truth.
If anything, he was okay with some students actually puffing their cheeks, people with smaller mouth cavities, etc.
I believe he told that story (and it's in the Reinhardt Listening Zone, Part 1 of "So You Think You Have Problems?") about the guy with blood in the wastebasket specifically as a warning that sucking in the cheeks was a bad thing.
Doug? You're on, man! _________________ Puttin’ On The Ritz |
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kehaulani Heavyweight Member
Joined: 23 Mar 2003 Posts: 9193 Location: Hawai`i - Texas
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Posted: Sat Dec 18, 2021 10:16 am Post subject: |
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Wouldn't Reinhardt just be using it to draw attention to someone who might be disadvantaged by puffing his cheeks, to emphasize that he needs to be aware of not puffing his cheeks by stating it in opposite terms?
He's not meaning to use an isometric tensing in drawing his cheeks in, just by overcompensating mentally in the extreme to meet in the middle, so to speak. _________________ "If you don't live it, it won't come out of your horn." Bird
"Well, even if I could play like Wynton, I wouldn't play like Wynton." Chet Baker
Adams A-9 Trumpet
Benge 3X Cornet
Getzen Capri Cornet (for sale). |
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Doug Elliott Heavyweight Member
Joined: 10 Oct 2006 Posts: 1193 Location: Silver Spring, MD
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Posted: Sat Dec 18, 2021 11:09 am Post subject: |
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"Overcompensating to meet in the middle" was definitely one of his techniques.
He used the terms "Area 1" and Area 2"
Area 1 is basically below the nose to the chin, and corner to corner, and muscular effort should be in that area. Area 2 was beyond that, including the cheeks, and the goal was to have Area 2 relaxed. Not necessarily to the point of puffing, but that was the general idea.
In my own teaching I like to restrict the muscular effort even a bit more, to "south of the equator" or below the lip centerline. I'm pretty sure he also used that terminology, maybe with the same intent. |
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deesson Regular Member
Joined: 11 Aug 2011 Posts: 35 Location: Long Island, NY
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Posted: Sun Dec 19, 2021 7:07 am Post subject: |
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After going through my lesson notes again, I read that #1, my corners were not snapping forward as they should and #2, my cheek area was too tight. To me that looks like the same problem, but was the cheek tightness causing the corners to stay back or was I pulling the corners back and causing the cheek tension? I guess that doesn't really matter.
I agree with Doug when he says, "I like to restrict the muscular effort even a bit more, to "south of the equator" or below the lip centerline."
Thanks to all who replied. |
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JoshMizruchi Heavyweight Member
Joined: 29 Mar 2005 Posts: 605 Location: Newark, NJ
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Posted: Mon Dec 20, 2021 4:00 pm Post subject: |
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I would say pulling your corners back would probably be the cause of the cheek tension. Pulling the corners back is the root of a lot of problems.
Finding out why you're pulling your corners back and fixing it may help you overcome this issue. I'd try to practice with slow inhalations if you aren't already. Remember to form, place, inhale, play, in that order.
I haven't experienced this issue per-se, but I've bitten the inside of my cheeks while playing a couple times before. For me, finding my legs seemed to help with that a lot. _________________ Josh Mizruchi
http://www.joshmizruchi.com |
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