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Marching_Trojan New Member
Joined: 05 Sep 2023 Posts: 6
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Posted: Tue Sep 05, 2023 1:57 pm Post subject: Olds Ambassador |
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Whats the overall opinion on a 1950's era Ambassador |
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dschwab Heavyweight Member
Joined: 06 Sep 2004 Posts: 518
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Posted: Wed Sep 06, 2023 4:57 am Post subject: |
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They're great. A professional horn marketed as a student model. |
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TrumpetMD Heavyweight Member
Joined: 22 Oct 2008 Posts: 2416 Location: Maryland
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Posted: Wed Sep 06, 2023 6:44 am Post subject: |
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I have two, a 1957 Ambassador Trumpet and a 1957 Ambassador Cornet. They're good horns, with a lot of fans out there.
Mike _________________ Bach Stradivarius 43* Trumpet (1974), Bach 6C Mouthpiece.
Bach Stradivarius 184 Cornet (1988), Yamaha 13E4 Mouthpiece
Olds L-12 Flugelhorn (1969), Yamaha 13F4 Mouthpiece.
Plus a few other Bach, Getzen, Olds, Carol, HN White, and Besson horns. |
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wilder Veteran Member
Joined: 27 Jun 2020 Posts: 341 Location: NYC
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Posted: Wed Sep 06, 2023 8:40 am Post subject: Re: Olds Ambassador |
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Marching_Trojan wrote: | Whats the overall opinion on a 1950's era Ambassador | The greatest student horn of all time. jw |
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jeirvine Veteran Member
Joined: 29 Apr 2022 Posts: 338 Location: Baltimore, MD USA
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Posted: Wed Sep 06, 2023 10:30 am Post subject: |
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Note that Olds cornets take a different mouthpiece taper prior to about 1955, or serial number 189611. After that, they will take a standard Bach-style piece. _________________ 1932 King Silvertone Artist Bore
1945 Buescher 400
1946 Olds Super
1947 Olds Super Cornet
1948 Couesnon flugelhorn
1951 Olds Special
1956 Martin Committee
1964 Olds Recording
1968 Bach 329 C
1996 Bach 37 |
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Marching_Trojan New Member
Joined: 05 Sep 2023 Posts: 6
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Posted: Wed Sep 06, 2023 10:40 am Post subject: |
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How does the Ambassador compare to an Olds Recording |
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stuartissimo Heavyweight Member
Joined: 17 Dec 2021 Posts: 992 Location: Europe
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Posted: Thu Sep 07, 2023 11:10 pm Post subject: |
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Only played 1 Ambassador so my experience is limited, however...
...I found they played very similar, however my Recording was a tad...nicer. The Ambassador was a bit brighter, or sharper, and felt like it preferred to be played a little more aggressive (say, bigband style vs classical). My Recording felt easier to adjust the sound to various timbres, and a little more sensitive to what mouthpiece is used. And I preferred my sound on the Recording (yet I would not have minded to keep that Ambassador at all).
I can play my Recording both bright like a trumpet and mellow like a flugel/cornet, depending on approach and mouthpiece. That Ambassador, I could only play like a trumpet. _________________ 1975 Olds Recording trumpet
1997 Getzen 700SP trumpet
1955 Olds Super cornet
1939 Buescher 280 flugelhorn
AR Resonance mouthpieces |
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nieuwguyski Heavyweight Member
Joined: 06 Feb 2002 Posts: 2349 Location: Santa Cruz County, CA
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Posted: Fri Sep 08, 2023 11:39 pm Post subject: |
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I don't particularly like Ambassador trumpets and I've played a fair number of them, including a 1959 time-capsule specimen owned by a local private college that shut down. But I can admire the build quality and bomb-proof design, and acknowledge that far better players than I like them.
I really like the Recording trumpet and used one as my daily player until the valves started getting finicky. It wasn't the years, it was the mileage -- it was clear the horn had been played a ton when I bought it, and I then gigged on it a lot for the next 15 or so years. I still have it and plan on having the valves rebuilt when I save enough pennies. _________________ J. Notso Nieuwguyski |
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dr_trumpet Heavyweight Member
Joined: 22 Nov 2001 Posts: 2533 Location: Cope, IN
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Posted: Sat Sep 09, 2023 8:36 am Post subject: |
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I used to buy Ambassadors cheap at a pawn shop or private sale, then have a Bach 43 leadpipe installed. Sometimes, we had to fit the female end of the Olds leadpipe to the Bach so that the tuning slide wold fit, but the results to a horn were a more open horn that has a better tone quality and played very, very well. The modification turned a fantastic student horn into a fantastic pro level horn.
Finding a Olds Ambassador in good enough shape to make this modification today at a reasonable price is a lot harder than it was 30 years ago, and many that are for sale show the effects of 30 more years abuse than when I did this project for students back then.
If I were to do it today, I'd also look at the 25O leadpipe, and the 44 leadpipe. _________________ Dr. Albert L. Lilly, III DM
Artist/Clinician for Vincent Bach Trumpets (Conn-Selmer)
Principal Trumpet, Hendricks Symphony (Avon, IN)
Arranger/Composer; Lilly Music |
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