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ATrumpetBrony Veteran Member
Joined: 21 Dec 2015 Posts: 152 Location: Detroit
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Posted: Wed Dec 13, 2017 7:39 am Post subject: Do I need a chop doc or a better "basics" teacher? |
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I'm at the point where I'm REALLY frustrated with my playing - more than enough to be willing to drop a bit of money on a years' worth of lessons.
I've been able to build a decent-enough range for an advanced beginner and honestly I feel like I understand some of the "knack"as far as air, tongue, etc. for being able to increase my range, but lately I've been SO frustrated and disgusted by my low and middle range tone, inaccuracy, frequency of airballs, and lack of endurance when doing things like improvisation.
I was hoping that by just practicing enough, putting in enough time on and off the horn, letting the system 'work itself out', and being critical and analytical enough, it'd all be fine and I'd get a natural killer-embourchure.... This is all coming from my previous experience being a decently successful amateur trombonist even never having had lesson there.
Question is, do I need a chop doctor in the beginning (or perhaps the whole way?) to help me get on the right path? Or should I look for someone who can get my fundamentals in order?
Thoughts? _________________ ATB
It's not what you play...
It's HOW you play |
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Richard III Heavyweight Member
Joined: 22 May 2007 Posts: 2655 Location: Anacortes, WA
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Posted: Wed Dec 13, 2017 8:58 am Post subject: |
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Special Studies for Trumpet by John Daniel _________________ Richard
King 1130 Flugabone
King 12C mouthpiece |
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Steve A Heavyweight Member
Joined: 26 May 2006 Posts: 1808 Location: Toronto, Canada
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Posted: Wed Dec 13, 2017 8:58 am Post subject: |
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Sorry, I'm not clear on this - have you had any meaningful trumpet instruction so far?
If the answer is no, I'd encourage you to ask around here and see whatever percentage of people got any results they found satisfying without regular, substantial instruction. I'd be willing to bet it comes very close to 0%.
The likelihood you're spinning your wheels, or, worse, making bad habits you'll later have to unlearn, without trumpet lessons is very high, and even higher if you're drawing on uninstructed trombone experience as a jumping off point. |
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dstdenis Heavyweight Member
Joined: 25 May 2013 Posts: 2123 Location: Atlanta GA
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Posted: Wed Dec 13, 2017 9:00 am Post subject: |
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If you were having serious embouchure afflictions, then yeah, I'd recommend you find a good, experienced, knowledgeable chop doc. Not every good teacher is necessarily a good chop doc (though some are). Some very good teachers will admit this and refer you to a specialist if you're having serious problems.
But the problems you've described don't sound like embouchure maladies to me, or at least, they probably aren't. You just might not be practicing the right skills the right way.
Focusing mostly on range development won't help with things like tone, accuracy, sound production (i.e., no airballs), etc. In fact, a beginner going on a fast-track crash-course to chase high notes can actually mess up his/her playing and make these other problems emerge.
My suggestion: find the best teacher you can for lessons and follow his/her guidance in good faith. If you need a chop doc, an honest teacher would tell you that and refer you to a good one, or, if the teacher didn't want to admit that he/she didn't know how to help you, you'd start to sense this after awhile too. _________________ Bb Yamaha Xeno 8335IIS
Cornet Getzen Custom 3850S
Flugelhorn Courtois 155R
Piccolo Stomvi |
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Ed Kennedy Heavyweight Member
Joined: 15 Jan 2005 Posts: 3187
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Posted: Wed Dec 13, 2017 10:20 am Post subject: |
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The OP is in Detroit. Who would we recommend in the Detroit area for a teacher? |
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homecookin Heavyweight Member
Joined: 07 Nov 2013 Posts: 868
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Posted: Wed Dec 13, 2017 11:02 am Post subject: |
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I'm not sure how much teaching he does, but Mike Williams,
the lead player with Basie's band lives in Detroit.
Unless he's moved. |
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Andy Del Heavyweight Member
Joined: 30 Jun 2005 Posts: 2665 Location: sunny Sydney, Australia
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Posted: Wed Dec 13, 2017 11:12 am Post subject: |
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I cam see a number of problems. First up, you have been unwilling to learn from anyone before this (your comment on NOW being willing to pay for lessons, 'a bit') This means you are assuming you can teach yourself to play trumpet. Secondly, you are trying to now diagnose yourself, with remote, online help, to determine what your future strategy should be - a teacher or a 'chop doc'. Thirdly, you have put a time frame onto this - 'a year'.
I would suggest you forget the entire post you just made and do one simple thing. Get a GOOD teacher.
Why? You do not know what you need to learn. So stop trying to decide what you need to learn and put your trust in a good teacher.
I could illustrate this with medical and legal examples fools and clients, kneed bones are connected to the thigh bones, etc. but I hope you get the idea. (OK, I just illustrated) Just go get a good teacher and see where it leads. This is a journey, not a destination.
cheers
Andy _________________ so many horns, so few good notes... |
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BGinNJ Veteran Member
Joined: 02 Mar 2010 Posts: 380
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Posted: Wed Dec 13, 2017 11:39 am Post subject: |
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I can relate to several of your problems, and I waited a lot longer to deal with them before I sought out a teacher. That was partly because I couldn't find anyone locally for what I thought I needed help with. Fortunately with Skype lessons, now there are lots of choices, and you don't have to decide on fundamentals vs. chop dr.
While I still have a long way to go, I do think that a chop doctor will have to address fundamentals anyway. Things like breath support, keeping the neck & shoulders relaxed, having a good set, not using too much pressure are all basic to playing in any register. |
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Robert P Heavyweight Member
Joined: 28 Feb 2013 Posts: 2596
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Posted: Wed Dec 13, 2017 12:08 pm Post subject: |
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Steve A wrote: | I'm not clear on this - have you had any meaningful trumpet instruction so far? |
I take it you haven't seen his previous posts. He's been advised to repeatedly and for whatever reason hasn't. He's described having irregular sessions of getting tips from someone who's a student but no scheduled, structured lessons from an established trumpet teacher. _________________ Getzen Eterna Severinsen
King Silver Flair
Besson 1000
Bundy
Chinese C
Getzen Eterna Bb/A piccolo
Chinese Rotary Bb/A piccolo
Chinese Flugel |
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Steve A Heavyweight Member
Joined: 26 May 2006 Posts: 1808 Location: Toronto, Canada
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Posted: Wed Dec 13, 2017 12:51 pm Post subject: |
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Robert P wrote: | Steve A wrote: | I'm not clear on this - have you had any meaningful trumpet instruction so far? |
I take it you haven't seen his previous posts. He's been advised to repeatedly and for whatever reason hasn't. He's described having irregular sessions of getting tips from someone who's a student but no scheduled, structured lessons from an established trumpet teacher. |
Aha - no, I hadn't. That makes sense, then. |
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cheiden Heavyweight Member
Joined: 28 Sep 2004 Posts: 8914 Location: Orange County, CA
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Posted: Wed Dec 13, 2017 1:28 pm Post subject: |
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The problems you describe I attribute to a daily routine that's out of balance. I would think a few lessons with a competent pro should help you construct a balanced daily routine based on your current playing level and where you're trying to get. _________________ "I'm an engineer, which means I think I know a whole bunch of stuff I really don't."
Charles J Heiden/So Cal
Bach Strad 180ML43*/43 Bb/Yamaha 731 Flugel/Benge 1X C/Kanstul 920 Picc/Conn 80A Cornet
Bach 3C rim on 1.5C underpart |
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Pops Heavyweight Member
Joined: 14 Sep 2002 Posts: 2039 Location: Dallas (Grand Prairie), Texas
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Posted: Wed Dec 13, 2017 1:50 pm Post subject: |
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Andy Del wrote: |
I would suggest you forget the entire post you just made and do one simple thing. Get a GOOD teacher.
Why? You do not know what you need to learn. So stop trying to decide what you need to learn and put your trust in a good teacher.
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Very true.
90% of the people who take lessons don't ask for the right thing. If a teacher does what they want then they are unlikely to make serious change.
A great teacher will teach you what THEY want you to learn.
2 of the issues you talk about here are aperture issues.
Poor tone = no control of the aperture tunnel and airballs = too stiff to vibrate.
Lack of accuracy is all on you because that is practice routine or lack of.
Lack of endurance usually means you waste strength on things that require little to no strength.
You need a teacher. _________________ Clint 'Pops' McLaughlin
You can always Google me.
50 years Teaching. Teaching and writing trumpet books is ALL I do.
7,000 pages of free music. Trumpet Books, Skype Lessons: www.BbTrumpet.com |
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chuck in ny Heavyweight Member
Joined: 23 Sep 2006 Posts: 3597 Location: New York
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Posted: Thu Dec 14, 2017 8:51 pm Post subject: |
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i have taken lessons from pops and thus have some idea of the process.
let's put this in mathematical terms which are easy to understand. if your lip setup was quite good, and it almost certainly is not and needs to be adjusted, someone like pops would be able to get you adjusted yet better, not just one issue, but a good variety of stuff. as not to overstate things it is at least a 90% shot.
if your mechanics are responsible for your frustration it's a 100% shot that pops could walk you through the maze.
a few lessons well spaced would get you on your way. it will not go over a few hundred to get you pretty happy, and from there you could either take more lessons or not.
the main problem with the world's notorious problem child instrument is simply blowing it properly and it isn't some simple straightforward affair. getting your chops together is first business and comes before musical appreciation and such. |
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Trumpetingbynurture Heavyweight Member
Joined: 18 Nov 2015 Posts: 898
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Posted: Fri Dec 15, 2017 1:46 am Post subject: Re: Do I need a chop doc or a better "basics" teac |
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ATrumpetBrony wrote: | I've been SO frustrated and disgusted by my low and middle range tone, inaccuracy, frequency of airballs, and lack of endurance when doing things like improvisation. |
When improvising, especially if you are still at the stage of needing to do a lot of 'head work', then you end up thinking about the notes at the detriment of maintaining good form. It means you need to spend more time slowly learning to THINK about improvisation while maintaining good sound. And then you have to play like that all the time.
Quote: | I was hoping that by just practicing enough, putting in enough time on and off the horn, letting the system 'work itself out', and being critical and analytical enough, it'd all be fine and I'd get a natural killer-embouchure.... This is all coming from my previous experience being a decently successful amateur trombonist even never having had lesson there. |
Sure, and you probably will if you spend enough time on it. But we're talking years. And the pros ALL had teachers. If you can name me one well-known trumpet player who was legitimately self-taught, fine. There's bound to be one out there. But when the numbers stack up 10000:1 you better hope you're not gambling on being the 1.
Quote: | Question is, do I need a chop doctor in the beginning (or perhaps the whole way?) to help me get on the right path? Or should I look for someone who can get my fundamentals in order?
Thoughts? |
If you have to ask the question, then yes. |
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JoseLindE4 Heavyweight Member
Joined: 18 Apr 2003 Posts: 791
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Posted: Fri Dec 15, 2017 3:58 am Post subject: |
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No disrespect to the many fine teachers with reputations as "chop docs" but the whole concept seems absurd. Certainly every teacher has their strengths and focus, but to separate out specific fundamentals seems unhelpful. I think you'll find that the successful "chop docs" are simply good teachers of trumpet fundamentals. It may take different forms based on teacher and student, but the students will ultimately just learn how to blow the horn.
chuck in ny wrote: | getting your chops together is first business and comes before musical appreciation and such. |
My experience suggests that this mindset is limiting and unhelpful. While there are occasions where specific mechanical focus may be best to deal with specific issues, the trumpet only functions well when the mental signal (musical concept) is strong and healthy. Solving the chops absent the mind and musical concept doesn't happen. To quote Ray Crisara, good music plays better.
The op needs a good teacher and needs to listen to his teacher and practice his assignments. |
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dstpt Heavyweight Member
Joined: 14 Dec 2005 Posts: 1286
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Posted: Fri Dec 15, 2017 5:57 am Post subject: |
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chuck in ny wrote: | ...the world's notorious problem child instrument... |
Love this phrase. I'm officially stealing it. |
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Steve A Heavyweight Member
Joined: 26 May 2006 Posts: 1808 Location: Toronto, Canada
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Posted: Fri Dec 15, 2017 7:08 am Post subject: |
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JoseLindE4 wrote: | No disrespect to the many fine teachers with reputations as "chop docs" but the whole concept seems absurd. Certainly every teacher has their strengths and focus, but to separate out specific fundamentals seems unhelpful. I think you'll find that the successful "chop docs" are simply good teachers of trumpet fundamentals. It may take different forms based on teacher and student, but the students will ultimately just learn how to blow the horn. |
I would respectfully disagree - yes, you're probably right that the "chop docs" are generally strong teachers of fundamentals, but if a player has a real embouchure problem, focusing on music, or balanced overall fundamentals may or may not happen to address the issue. Many generally excellent teachers have lots to say on most musical subjects, but little firsthand knowledge (or willingness to teach based on that knowledge) of changing a poorly functioning embouchure. We can argue about how many students this might describe, but it IMO, it remains a case where to best treat certain problems, you go see a specialist.
JoseLindE4 wrote: | chuck in ny wrote: | getting your chops together is first business and comes before musical appreciation and such. |
My experience suggests that this mindset is limiting and unhelpful. While there are occasions where specific mechanical focus may be best to deal with specific issues, the trumpet only functions well when the mental signal (musical concept) is strong and healthy. Solving the chops absent the mind and musical concept doesn't happen. To quote Ray Crisara, good music plays better. |
Whereas my experience is that this is right on the money. The trumpet may only function when the mental signal is strong and healthy - agreed - but the mental signal only comes out the trumpet in the intended form when the mechanics of the trumpet are functioning properly. Obviously we want (and need) both. |
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TKSop Heavyweight Member
Joined: 23 Feb 2014 Posts: 1735 Location: UK
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Posted: Fri Dec 15, 2017 7:21 am Post subject: |
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Steve A wrote: | JoseLindE4 wrote: | No disrespect to the many fine teachers with reputations as "chop docs" but the whole concept seems absurd. Certainly every teacher has their strengths and focus, but to separate out specific fundamentals seems unhelpful. I think you'll find that the successful "chop docs" are simply good teachers of trumpet fundamentals. It may take different forms based on teacher and student, but the students will ultimately just learn how to blow the horn. |
I would respectfully disagree - yes, you're probably right that the "chop docs" are generally strong teachers of fundamentals, but if a player has a real embouchure problem, focusing on music, or balanced overall fundamentals may or may not happen to address the issue. Many generally excellent teachers have lots to say on most musical subjects, but little firsthand knowledge (or willingness to teach based on that knowledge) of changing a poorly functioning embouchure. We can argue about how many students this might describe, but it IMO, it remains a case where to best treat certain problems, you go see a specialist. |
In short (and I totally agree):
Players already on the right path make great progress with a good teacher.
Players who have more specific issues need specialist help - when it comes to embouchure (a very complicated facet of playing, and one that needs significant knowledge and experience to meddle with with any degree of success), you need these "chop docs".
Sure, the chop docs are great teachers in their own right - but they're bestowed these titles because they have particular abilities that elevate them to a different level... the same way we distinguish between a regular doctor and a brain surgeon. |
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Craig Swartz Heavyweight Member
Joined: 14 Jan 2005 Posts: 7770 Location: Des Moines, IA area
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Posted: Fri Dec 15, 2017 8:08 am Post subject: |
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The OP is essentially a trombone player who is learning trumpet, correct? |
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Clot Gorton Regular Member
Joined: 13 Dec 2017 Posts: 11 Location: International Artist
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Posted: Fri Dec 15, 2017 9:02 am Post subject: |
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Mike Williams
Patrick Hession
Walter White
All live around Detroit. |
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