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chip crotts Regular Member
Joined: 28 Sep 2004 Posts: 51 Location: Atlanta
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Posted: Sun Sep 30, 2018 5:52 pm Post subject: Commercial horns with easiest projection? |
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Hi All,
I'm interested to hear what horns you've played that seem to have the easiest acoustic projection for most commercial/big band type applications. I'm at a point in my career and age that I'm focusing more on "bang for the buck" with sound and trying to find the sweet spot where I'm comfortable dynamically, but getting the most projection out of my horn.
I've been playing my Yamaha 6310Z off and on for almost 25 years, but as I've recently fully recovered from Bell's Palsy, I'm working on even more efficiency. I've come back stronger in many ways this time around, but as I'm also recording myself more these days, I just don't quite feel that the Z "sparkles" enough without having to lean into it more than I'd like. I want to be able to sit back and coast and let the projection do more of the work now.
I've been thinking about trying other horns such as Schilke Faddis, Jupiter Ingram, Bach Commercial, Callet, Calicchio, Benge and also a few lightweight Shires. I'm comfortable with most bore sizes from M to ML, so I'm open to all suggestions and appreciate your insight.
Best acoustic projection and sound with moderate amount of work, GO! |
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Trumpetmannj Regular Member
Joined: 17 Oct 2014 Posts: 80
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Posted: Sun Sep 30, 2018 6:17 pm Post subject: |
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The z horn is probably easiest to play, rogers horn is his interpretation of a z Horn, I like the benge 3x for sound to effort ratio. Also the schilke b6 _________________ ‘65 strad
Kanstul 1500,1600
Benge 3x, 3x+
Conn 38b
Holton 48 |
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zaferis Heavyweight Member
Joined: 03 Nov 2011 Posts: 2330 Location: Beavercreek, OH
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Posted: Sun Sep 30, 2018 6:18 pm Post subject: |
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I think they are all worth a try, if you can manage that.
But IMO, there are 2 "must try"s the Bach Commercial and Shires Destino III.
Love my Bach. It has that warmth of a Bach with a lightness, and great feedback (easy to hear what you're doing) and you can light it up if you want. Even though it says Large Bore, it does not play or feel large. I've had nothing but positive response from audience and fellow musicians.
And the Destino III's that I've played are marvelous trumpets. Sparkle and shine in the sound, even from top to bottom and a breeze to play. Just a step up in $$$ _________________ Freelance Performer/Educator
Adjunct Professor
Bach Trumpet Endorsing Artist
Retired Air Force Bandsman |
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Lee Adams Veteran Member
Joined: 06 Nov 2001 Posts: 222 Location: Atlanta, Ga
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mike ansberry Heavyweight Member
Joined: 03 Jun 2003 Posts: 1607 Location: Clarksville, Tn
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Posted: Sun Sep 30, 2018 9:01 pm Post subject: |
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My Conn 40B projects more than any other tpt I've ever played. With the heavy brass bell, heavy valve casings, and added mass on the main tuning slide and the 3rd valve slide, it really throws the sound forward. I love it in loud rock bands. But in a concert band setting I don't get enough feedback from the horn to hear myself. (I have significant hearing loss) Not getting feedback makes it very hard to play in tune, blend, etc. _________________ Music is a fire in your belly, fighting to get out. You'd better put a horn in the way before someone gets hurt. |
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benlewis Heavyweight Member
Joined: 21 Jan 2004 Posts: 1011 Location: Memphis, TN
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Posted: Sun Sep 30, 2018 9:06 pm Post subject: |
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I am a retired U.S. Navy musician and bandmaster whose background has been mostly legit and BQ playing. I am now in position where I play a lot of shows and the best horn for me in commercial situations is the Yamaha 20th Anniversary Xeno. My natural sound leans towards the "woofie" side; with my custom Schilke piccolo mouthpiece made by Scott Laskey in the 80s and a GR #41 adapter, I have a fairly easy and accurate high end (disclaimer; I top out at g/g#), while being able to produce an acceptably warm sound when required. I just finished a month-long run of Newsies, which has a lot of exposed playing that hangs in the upper register for pages at a time. I was able to make it through the show and end the evening feeling pretty strong. A trombone player whose opinion I respect says "the gold Yamaha sounds the best." He's heard me play on a Monette, Bachs, a vintage King Silver Flair, a Benge 3X+, a Schilke B1B, and a Shires Model A...
Now I don't play Wayne-style lead, but I think for all-around commercial work, the combination of the reversed lead pipe, the traditional placement of the forward bell brace, and the larger bell are a unique and efficient combination.
HTH; cheers,
Ben |
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gchun01 Veteran Member
Joined: 29 Mar 2013 Posts: 270
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Posted: Sun Sep 30, 2018 10:26 pm Post subject: |
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For me, the Stomvi VRaptor/VRII does exactly what you asked. It speaks very quickly with minimal air and effort. The sound is rich and the intonation is great.
It has the most projection of all my horns. (Schilke S42, Calicchio 1s/2) |
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Seymor B Fudd Heavyweight Member
Joined: 17 Oct 2015 Posts: 1472 Location: Sweden
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Posted: Mon Oct 01, 2018 1:35 am Post subject: Re: Commercial horns with easiest projection? |
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chip crotts wrote: | Hi All,
I'm interested to hear what horns you've played that seem to have the easiest acoustic projection for most commercial/big band type applications. I'm at a point in my career and age that I'm focusing more on "bang for the buck" with sound and trying to find the sweet spot where I'm comfortable dynamically, but getting the most projection out of my horn.
I've been playing my Yamaha 6310Z off and on for almost 25 years, but as I've recently fully recovered from Bell's Palsy, I'm working on even more efficiency. I've come back stronger in many ways this time around, but as I'm also recording myself more these days, I just don't quite feel that the Z "sparkles" enough without having to lean into it more than I'd like. I want to be able to sit back and coast and let the projection do more of the work now.
I've been thinking about trying other horns such as Schilke Faddis, Jupiter Ingram, Bach Commercial, Callet, Calicchio, Benge and also a few lightweight Shires. I'm comfortable with most bore sizes from M to ML, so I'm open to all suggestions and appreciate your insight.
Best acoustic projection and sound with moderate amount of work, GO! |
I recently sold my mint condition Bach LT190 1B Commercial (ML). Reason was I just couldn´t master it higher up - too little resistance I thought, accustomed to my old King as I am, also playing cornet. But: I put the horn in the hands of a very seasoned pro, and boy - what a magnificient sound, crystal clear projection, real sizzle up high, big tone in the lower register (that I succeeded in ) open bright yet warm! Much bigger sound than his usual horn (Bach Artisan). And my buyer got overwhelmed by the fantastic projection and maintains it is very easily driven. So test one. Maybe it is the perfect fit! _________________ Cornets: mp 143D3/ DW Ultra 1,5 C
Getzen 300 series
Yamaha YCRD2330II
Yamaha YCR6330II
Getzen Eterna Eb
Trumpets:
Yamaha 6335 RC Schilke 14B
King Super 20 Symphony DB (1970)
Selmer Eb/D trumpet (1974) |
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Pete Heavyweight Member
Joined: 24 Nov 2001 Posts: 1739 Location: Western Massachusetts
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Posted: Mon Oct 01, 2018 5:10 am Post subject: |
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Have you tried the 8310Z? It does play differently than the 6310Z.
You asked about projection not feedback. The 8310Z that I play has both.
Good luck!
Pete |
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Yamahaguy Heavyweight Member
Joined: 09 Dec 2004 Posts: 3992
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Posted: Mon Oct 01, 2018 6:46 am Post subject: |
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Some of my favorites:
Benge 2x+, 3x, and 5x
Yamaha 8335 LA
Calicchio 1s2
Kanstul Chicago MLP |
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John Mohan Heavyweight Member
Joined: 13 Nov 2001 Posts: 9830 Location: Chicago, Illinois
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Posted: Mon Oct 01, 2018 8:43 am Post subject: |
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Selmer Claude Gordon (CG) model
Benge CG |
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trpthrld Heavyweight Member
Joined: 09 Mar 2007 Posts: 4810
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Manuel de los Campos Heavyweight Member
Joined: 29 Jul 2004 Posts: 654 Location: Amsterdam, the Netherlands
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Posted: Mon Oct 01, 2018 1:01 pm Post subject: Re: Commercial horns with easiest projection? |
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chip crotts wrote: | Hi All,
Best acoustic projection and sound with moderate amount of work, GO! |
Getzen Eterna 900 Classic _________________ Technology alone is a poor substitute for experience. (Richard Sachs) |
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Locutus2k Heavyweight Member
Joined: 01 Feb 2006 Posts: 635 Location: Rome, Italy
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Posted: Tue Oct 02, 2018 12:28 am Post subject: |
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The answer to your question for me is Lawler TL5 horn. Not easy to find one now that Lawler stopped making them. _________________ ------------------------
Edwards X-13
Lawler TL5 Balanced 30th Anniversary (#2 of 5)
Lawler TL5 L bore
Bach NY Special edition 2008
Flugel Van Laar Oiram Ack
Mark Curry mouthpieces
------------------------ |
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JeffM729 Veteran Member
Joined: 27 Dec 2004 Posts: 442 Location: Parrish, FL
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Posted: Tue Oct 02, 2018 6:46 am Post subject: |
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In my experiences over the years, the Selmer Claude Gordon and the Yamaha 8310Z were the "easiest" trumpets to perform on. |
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Lawler Bb Heavyweight Member
Joined: 27 Jan 2002 Posts: 1140 Location: Milwaukee, WI
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kehaulani Heavyweight Member
Joined: 23 Mar 2003 Posts: 9028 Location: Hawai`i - Texas
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Posted: Tue Oct 02, 2018 8:13 am Post subject: |
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I have had an operation on my lungs as well as two strokes that affected my breathing and I have no problem with any of the trumpets I have.
May not give you the tone you're seeking, but I also had a Getzen Severinsen with which I also had no problem. _________________ "If you don't live it, it won't come out of your horn." Bird
Yamaha 8310Z Bobby Shew trumpet
Benge 3X Trumpet
Benge 3X Cornet
Adams F-1 Flghn |
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Tony Scodwell Heavyweight Member
Joined: 17 Oct 2005 Posts: 1961
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Posted: Tue Oct 02, 2018 9:02 am Post subject: Trumpets with pizazz |
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Not as well known as the "big" names in the industry, the Scodwell USA was designed for precisely those reasons cited. Maximum vibrance, intentional player feed back and projection that has been proven in a scientific evaluation.
The "Standard" model often referred to as "The Las Vegas" model is the choice of some very fine lead players in the Las Vegas showrooms and surprisingly some principal players in orchestras have chosen this model as well. I designed the "Boston" model after feedback from a group of the finest studio players in LA saying they preferred a "rounder" sound quality for the work that they do. That said, the "Boston" model was chosen by the trumpet player in one of the most famous horn sections of all, Earth Wind and Fire prior to the groups signing with Eastman. A look at the YouTube videos called "Tony Scodwell building trumpets, part one and two will give you more details on what goes into the instruments I build. My website is worth a look as well.
Tony Scodwell
www.scodwellusa.com |
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delano Heavyweight Member
Joined: 18 Jan 2009 Posts: 3118 Location: The Netherlands
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Posted: Tue Oct 02, 2018 9:48 am Post subject: |
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What always puzzles me with threads like this one is the method to handle all this information. My roughly counting gives about 32 different recommendations. My experience with threads like this is that another week will at least double this amount. (mostly these questions top off at 60 to 80 answers). And all recommendations seem to be reasonable and to the point.
What to do now? Play them all? (seriously and thoroughly). |
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giakara Heavyweight Member
Joined: 13 Jul 2003 Posts: 3832 Location: Greece
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Posted: Tue Oct 02, 2018 10:15 am Post subject: |
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Lawler TL5-1A
Calicchio 1S2
Getzen Eterna
The Lawler is my favourite but overall the Calicchio is the best commercial horn I ever touch.
Regards _________________ Lawler TL5-1A Bb 2015
Lawler TL6-1A Bb 2004
Lawler TL5-1A Bb 2003
Getzen eterna 910 C
Getzen eterna 850 cornet
Selmer Paris 3 valve picc
Yamaha 731 flugel
Carol mini pocket
Reeves/Purviance mpcs |
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