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First horn - Cornet from beginner to intermedate


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funkfaker
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PostPosted: Mon Aug 07, 2023 7:47 am    Post subject: First horn - Cornet from beginner to intermedate Reply with quote

Hello, everyone.

I've always wanted to learn to play trumpet, and when I described the type of sound I want to hear/play (dark, smokey), someone recommended a cornet. I'd like to have a horn that won't need upgrading as I progress, so something that will last me from a beginner through intermediary stages. I've got around $400.

It was recommended to look for an Olds Ambassador - I've seen some in very good condition and sanitized/cleaned up for around $350-400. I certainly like the idea of a vintage horn.

All that said, I'd love to hear the perspectives from you all, as I'm coming from ground zero on this endeavor.

Thank you in advance!
Tommy
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Richard III
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PostPosted: Mon Aug 07, 2023 8:12 am    Post subject: Reply with quote

I think you are on the right track. I have numerous cornets and my current "go to" horn is the Ambassador. Why? It is totally dependable. The valves are great and it will do anything I ask.
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Halflip
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PostPosted: Mon Aug 07, 2023 8:37 am    Post subject: Reply with quote

Whatever you look at, if you are considering a used horn (and if you want to find something that won't need upgrading as you progress, you may have to), have a brass tech check the valve compression to make sure that the valves aren't too worn and leaky. A horn with leaky valves will have a negative impact your learning experience -- learning trumpet/cornet is challenging enough without having the horn fight you because it is not in good playing condition.

Of course, this means that if you buy a horn from a remote seller (on eBay, for example), you should make sure that they accept returns within some reasonable time limit. That way you can have a tech check it, and send it back if it doesn't "pass muster".
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kehaulani
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PostPosted: Mon Aug 07, 2023 9:18 am    Post subject: Reply with quote

Unless you really know what you're doing, buying from an individual can be a crap shoot. Because of this, I recommend your buying from a merchant with a liberal return policy. The price may be a litttle higher but it's more secure.

If it were me, I would contact Austin Custom Brass, Dillon Music, Chuck Levin's or other online shops and tell their experienced salesmen what you want and what your budget is. Takes the guess work out of it. (Don't worry, they probably won't screw you.)

You might also like to reevaluate your choice of a cornet. If you plan to play in a very good community band or big band, you are probably going to want a trumpet (for blending and carrying power). If not, no biggie but I thought you should be aware of that.
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cheiden
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PostPosted: Mon Aug 07, 2023 9:36 am    Post subject: Reply with quote

An Ambassador cornet with a standard mouthpiece won't sound very different than a trumpet. I wouldn't call that sound dark or smoky. Not that this is a bad thing. I've played Ambassadors that I liked quite a bit.

The softer broader sound folks associate with the cornet is often exemplified in the British brass band tradition. If that's the sound you seek then perhaps then Ambassador is not your best option.
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funkfaker
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PostPosted: Mon Aug 07, 2023 9:38 am    Post subject: Reply with quote

cheiden wrote:
An Ambassador cornet with a standard mouthpiece won't sound very different than a trumpet. I wouldn't call that sound dark or smoky. Not that this is a bad thing. I've played Ambassadors that I liked quite a bit.

The softer broader sound folks associate with the cornet is often exemplified in the British brass band tradition. If that's the sound you seek then perhaps then Ambassador is not your best option.


Thank you for this perspective. Where would you steer me for the dark and smokey sound?
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Jerry
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PostPosted: Mon Aug 07, 2023 9:41 am    Post subject: Reply with quote

I would think that your teacher would be one to help direct your purchase.

You have a teacher, right?
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Dale Proctor
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PostPosted: Mon Aug 07, 2023 10:23 am    Post subject: Reply with quote

You can get a “dark, smoky sound” with most any cornet if you use a deep, British brass band style mouthpiece. Those mouthpieces are more demanding to play from an endurance and range standpoint, though.

If you can find a 1960s Conn 5A Victor short cornet, they are really good instruments that are in the cornet middle ground of tone, and would probably be in your price range. That way, you can color the tone from bright to dark with a couple different mouthpieces. A more shallow mouthpiece for concert band work, and a a big deep one for the dark sound you’re looking for.
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Mike Prestage
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PostPosted: Mon Aug 07, 2023 10:31 am    Post subject: Reply with quote

Either the Yamaha 2330 or 2310 would be solid cornet choices for a beginner and I imagine you'd be able to find lightly used ones within your budget. (US-based posters might correct me on that though!)

I agree with Kehaulani comment about trumpet vs. cornet. There'd be more potential discussion here if you filled us in a bit on where you're hoping to go with the instrument. Regardless of where that might be though, I'd honestly advise any beginner on trumpet/cornet to avoid getting preoccupied with a 'speciality' sound. It's hugely valuable as a developing player to work consistently towards a sound that's broadly characteristic of the instrument.

'Dark and smoky' is highly subjective of course, but I can't really imagine an interpretation that would have much in common with a solid starting-point sound on the cornet. (I also don't think it matters much that the gap might be even wider with the trumpet). It would be interesting to hear what music inspired you to learn the cornet - could you maybe list a few recordings and or players' names?

Mike
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Mike Prestage
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PostPosted: Mon Aug 07, 2023 11:10 am    Post subject: Reply with quote

Meant to add - Yamaha market those models as student cornets and the more expensive 4330 as intermediate but IMO it's not worth taking that too seriously!

Mike
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cheiden
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PostPosted: Mon Aug 07, 2023 11:40 am    Post subject: Reply with quote

Mike Prestage wrote:
Either the Yamaha 2330 or 2310 would be solid cornet choices for a beginner and I imagine you'd be able to find lightly used ones within your budget. (US-based posters might correct me on that though!)

I agree with Kehaulani comment about trumpet vs. cornet. There'd be more potential discussion here if you filled us in a bit on where you're hoping to go with the instrument. Regardless of where that might be though, I'd honestly advise any beginner on trumpet/cornet to avoid getting preoccupied with a 'speciality' sound. It's hugely valuable as a developing player to work consistently towards a sound that's broadly characteristic of the instrument.

'Dark and smoky' is highly subjective of course, but I can't really imagine an interpretation that would have much in common with a solid starting-point sound on the cornet. (I also don't think it matters much that the gap might be even wider with the trumpet). It would be interesting to hear what music inspired you to learn the cornet - could you maybe list a few recordings and or players' names?

Mike

I agree that starting players would likely do well with middle-of-the-road gear until basic facility is achieved. Then you can start experimenting with more specialized sounds. In all generality that will likely involve the mouthpiece more than the horn.
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funkfaker
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PostPosted: Mon Aug 07, 2023 12:00 pm    Post subject: Reply with quote

Mike Prestage wrote:
Either the Yamaha 2330 or 2310 would be solid cornet choices for a beginner and I imagine you'd be able to find lightly used ones within your budget. (US-based posters might correct me on that though!)

I agree with Kehaulani comment about trumpet vs. cornet. There'd be more potential discussion here if you filled us in a bit on where you're hoping to go with the instrument. Regardless of where that might be though, I'd honestly advise any beginner on trumpet/cornet to avoid getting preoccupied with a 'speciality' sound. It's hugely valuable as a developing player to work consistently towards a sound that's broadly characteristic of the instrument.

'Dark and smoky' is highly subjective of course, but I can't really imagine an interpretation that would have much in common with a solid starting-point sound on the cornet. (I also don't think it matters much that the gap might be even wider with the trumpet). It would be interesting to hear what music inspired you to learn the cornet - could you maybe list a few recordings and or players' names?

Mike


I appreciate this, Mike.

A little background: I'm a university-trained bass player. I played a lot of jazz and r&b in school, and a lot of funk, rock and electronic music in the real world. I now produce, compose, and master a lot of music and voiceover type work. This probably influences a lot of the sonic texture I'm looking for. That and Roy Hargrove's playing on D'Angelo's record "Voodoo."

With that in mind, I will get a teacher after I source a horn. I wanted to get perspective from you all, since it's a wider knowledge base than a singular teacher.

With that in mind, I'd love any additional perspective you all might have on the horn to start with. I'm grateful for all of the input thus far!
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Mike Prestage
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PostPosted: Tue Aug 08, 2023 2:56 am    Post subject: Reply with quote

Thanks for the background info. I think what you're hearing from Roy Hargrove is a combination of:

- A great ability to shape the sound and bring in a 'soft focus' quality
- Mastery of the softer end of the instument's dynamic range
- How it was recorded, mixed etc.

I've never heard anything from him that struck me as cornet-like, and he had a really raw, intense trumpet sound in his back pocket! Here's a phenominal live recording where you can hear some great contrasts in sound. The only free version I've found with the video is in two parts but it's worth it to watch how he uses the mic. (Mic technique is a really underappreciated aspect of trumpet sound IMO.)

https://www.youtube.com/watch?v=L0WXEzwZOv0
https://www.youtube.com/watch?v=vXxXQRoMJ1w

Mike
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jhatpro
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PostPosted: Tue Aug 08, 2023 4:21 am    Post subject: Reply with quote

I recommend an Olds Ambassador cornet, preferably one built in Fullerton. (Most of the ones built earlier in Los Angeles had a larger receiver which requires a mouthpiece with a larger shank.)

I make this suggestion because Ambassadors show up on eBay, Craigslist, Goodwill Online, and the Trumpet Herald Marketplace. You should be able to find one that’s playable for under $100.

The horn would be perfect to learn on and as you progress you could upgrade to a Bach, Yamaha, Getzen or any other respected brand and keep the Olds as something to throw in your luggage when you go on vacation.
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funkfaker
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PostPosted: Tue Aug 08, 2023 2:38 pm    Post subject: Reply with quote

Mike Prestage wrote:
Thanks for the background info. I think what you're hearing from Roy Hargrove is a combination of:

- A great ability to shape the sound and bring in a 'soft focus' quality
- Mastery of the softer end of the instument's dynamic range
- How it was recorded, mixed etc.

I've never heard anything from him that struck me as cornet-like, and he had a really raw, intense trumpet sound in his back pocket! Here's a phenominal live recording where you can hear some great contrasts in sound. The only free version I've found with the video is in two parts but it's worth it to watch how he uses the mic. (Mic technique is a really underappreciated aspect of trumpet sound IMO.)

https://www.youtube.com/watch?v=L0WXEzwZOv0
https://www.youtube.com/watch?v=vXxXQRoMJ1w

Mike


Everything about this performance is stunning. Gerald Clayton on piano is really dialed in.

I've read in a few places that Roy played both flugelhorn and trumpet on Voodoo. No doubt the mics and recording played a part in the sound. Overwhelmingly it must come from the player. But is the cornet considered a midpoint between trumpet a flugelhorn?

jhatpro wrote:
I recommend an Olds Ambassador cornet, preferably one built in Fullerton. (Most of the ones built earlier in Los Angeles had a larger receiver which requires a mouthpiece with a larger shank.)

I make this suggestion because Ambassadors show up on eBay, Craigslist, Goodwill Online, and the Trumpet Herald Marketplace. You should be able to find one that’s playable for under $100.

The horn would be perfect to learn on and as you progress you could upgrade to a Bach, Yamaha, Getzen or any other respected brand and keep the Olds as something to throw in your luggage when you go on vacation.


I've found an Olds Special cornet from '67-'68 for around $400. No dents or repairs. Valves are said to be in good condition. Is that worth considering?
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Denny Schreffler
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PostPosted: Tue Aug 08, 2023 11:01 pm    Post subject: Reply with quote

funkfaker wrote:
I've found an Olds Special cornet from '67-'68 for around $400. No dents or repairs. Valves are said to be in good condition. Is that worth considering?


It would be worth looking at Trent Austin's Doubler Cornet - $425. 3rd slide ring and 1st slide saddle.

I am 100% satisfied with the ACB Brass Band Doubler (which I would not necessarily recommend to someone in your situation) that I bought a few months ago.

♦We're excited to offer this great entry level cornet in our ever-popular ACB Doubler's line of instruments! This cornet has a yellow brass bell (4.685 inches) and a .459 bore. The slightly smaller bell and bore make these horns easy to switch to from your trumpet or flugel work. All ACB Doubler's horns come with our Precision Valve Alignment and are play-tested before shipping. This is the best value cornet you can find! The horn comes with a nice Pro-Tec style gig bag and a stock mouthpiece.♦

—Denny
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Mike Prestage
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PostPosted: Wed Aug 09, 2023 9:28 am    Post subject: Reply with quote

funkfaker wrote:

Everything about this performance is stunning. Gerald Clayton on piano is really dialed in.

I've read in a few places that Roy played both flugelhorn and trumpet on Voodoo. No doubt the mics and recording played a part in the sound. Overwhelmingly it must come from the player. But is the cornet considered a midpoint between trumpet a flugelhorn?


It's one I can come back to again and again!

The cornet and trumpet are much more similar to each other than either are to the flugel. The cornet/trumpet distinction is messy and difficult to sum up in a forum post. My basic advice would be that from what you've said about your musical background and interests, the trumpet would be the more straightforward choice.

I don't doubt that you could achieve what you're after with a cornet, given how similar the two instruments are and how malleable the sound of either can be. (That's without even going into the huge variety of mouthpieces that are available for both...) Honestly, it just strikes me as inconsistent with the 'keep it simple' mindset that's so beneficial for anyone starting from scratch on any brass instrument.

Mike
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jhatpro
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PostPosted: Wed Aug 09, 2023 11:50 am    Post subject: Reply with quote

I think there are a lot of very affordable horns that would be fine for a beginner. I say that because the first year or so is as much about muscle building as it is music. The OP has a head start because he’s already a musician but it’s still going to take a while to build some chops and whether the instrument is an Olds or virtually anything it’s not going to matter as long as it’s in playable condition.

My inclination would be to go with the cheapest option and start putting some money aside for a premier horn when the chops are ready to do it justice.
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funkfaker
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PostPosted: Fri Aug 18, 2023 5:57 am    Post subject: Reply with quote

Mike Prestage wrote:
funkfaker wrote:

Everything about this performance is stunning. Gerald Clayton on piano is really dialed in.

I've read in a few places that Roy played both flugelhorn and trumpet on Voodoo. No doubt the mics and recording played a part in the sound. Overwhelmingly it must come from the player. But is the cornet considered a midpoint between trumpet a flugelhorn?


It's one I can come back to again and again!

The cornet and trumpet are much more similar to each other than either are to the flugel. The cornet/trumpet distinction is messy and difficult to sum up in a forum post. My basic advice would be that from what you've said about your musical background and interests, the trumpet would be the more straightforward choice.

I don't doubt that you could achieve what you're after with a cornet, given how similar the two instruments are and how malleable the sound of either can be. (That's without even going into the huge variety of mouthpieces that are available for both...) Honestly, it just strikes me as inconsistent with the 'keep it simple' mindset that's so beneficial for anyone starting from scratch on any brass instrument.

Mike


I appreciate your perspective, Mike.

If you were to point me to a trumpet and mouthpiece in the $400-500 range, something that could give me an initial smooth and warm sound, what would you recommend?
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cheiden
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PostPosted: Fri Aug 18, 2023 9:35 am    Post subject: Reply with quote

A used Yamaha student model trumpet should be something you can find that will suit the budget.
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