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MountVernon Regular Member
Joined: 03 Jan 2024 Posts: 30
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Posted: Sun Feb 18, 2024 11:28 am Post subject: What part of the Mouthpiece most greatly affects focus? |
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I'm curious if I want to make my mouthpiece more open, without the sound spreading, is it the throat that I want to keep the same? |
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Andy Cooper Heavyweight Member
Joined: 15 Nov 2001 Posts: 1832 Location: Terre Haute, IN USA
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Posted: Sun Feb 18, 2024 1:54 pm Post subject: |
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If you are using Frost threaded backbores and have a #28 throat at this time, then order the #27 throat in the same backbore. Do not have your present #28 modified. |
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MountVernon Regular Member
Joined: 03 Jan 2024 Posts: 30
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Posted: Sun Feb 18, 2024 1:59 pm Post subject: |
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how do you know it's not my throat that needs to be the same, and the backbore opened? |
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Andy Cooper Heavyweight Member
Joined: 15 Nov 2001 Posts: 1832 Location: Terre Haute, IN USA
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Posted: Sun Feb 18, 2024 2:14 pm Post subject: |
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MountVernon wrote: | how do you know it's not my throat that needs to be the same, and the backbore opened? |
Larger backbores usually lead to more spread in the sound - depends on the design - but the place to start is a larger throat.
I played Tottles for many years - stock throat was a #28. Increasing the size of the backbore lead to more spread.
Oh - there is another way to open the blow of your horn that is reversible - purchase a main tuning slide with a larger internal diameter. I've done this several times.
https://www.mkdrawing.com/sr-series-tuning-slide/
Stay with brass and the same bow shape as your present slide unless you want to change more than the resistance. |
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stuartissimo Heavyweight Member
Joined: 17 Dec 2021 Posts: 990 Location: Europe
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Posted: Sun Feb 18, 2024 10:48 pm Post subject: Re: What part of the Mouthpiece most greatly affects focus? |
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MountVernon wrote: | I'm curious if I want to make my mouthpiece more open, without the sound spreading, is it the throat that I want to keep the same? |
In my limited experience with 2 versions of a modular backbore (with the same throat) for my mouthpiece, I've found that a slightly smaller backbore adds a little resistance, but also makes the sound a bit more 'compact', i.e. less full. And then there's the effect on intonation in the lower and upper registers of course. Then again, I also have a shallow cup with a much, much narrower backbore (still the same throat) that feels just as 'open' when I play it. My hunch is that the backbore is balanced with the cup. Not sure if any of that's helpful.
I'm not entirely sure that's what you mean by 'spreading' though. _________________ 1975 Olds Recording trumpet
1997 Getzen 700SP trumpet
1955 Olds Super cornet
1939 Buescher 280 flugelhorn
AR Resonance mouthpieces |
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MountVernon Regular Member
Joined: 03 Jan 2024 Posts: 30
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Posted: Mon Feb 19, 2024 7:30 am Post subject: |
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Focused sound as in, no air in the sound, very pure. |
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Brassnose Heavyweight Member
Joined: 07 Mar 2016 Posts: 2053 Location: Germany
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Posted: Mon Feb 19, 2024 7:45 am Post subject: |
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I play AR resonance with a 40 (i.e. 4 mm) throat and have basically played all backbores from 40XS to 40L and 40L Classical. The XS provides a very focused and dense sound and I sometimes tend to overshoot notes. The larger the backbores get, the broader the sound gets.
I pretty much agree with stuartissimo in that the density of sound (and the slotting to some extent) are affected but the XS backbore is by no means tight. It still blows quite open. _________________ 2019 Martin Schmidt eXcellence
1992 Bach 43GH/43
1989 Kühnl & Hoyer Model 15 flugel
1980/2023 Custom Blessing Scholastic C 😎
1977 Conn 6B
1951 Buescher 400 Lightweight
AR Resonance, Frate, Klier |
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MountVernon Regular Member
Joined: 03 Jan 2024 Posts: 30
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Posted: Mon Feb 19, 2024 10:55 am Post subject: |
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So, am I looking to open the throat or the backbore? |
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JayKosta Heavyweight Member
Joined: 24 Dec 2018 Posts: 3308 Location: Endwell NY USA
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Posted: Mon Feb 19, 2024 11:15 am Post subject: |
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MountVernon wrote: | Focused sound as in, no air in the sound, very pure. |
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So the real question seems to be 'what aspect of a mouthpiece would cause air in the sound?', or cause 'lack of sound purity'. _________________ Most Important Note ? - the next one !
KNOW (see) what the next note is BEFORE you have to play it.
PLAY the next note 'on time' and 'in rhythm'.
Oh ya, watch the conductor - they set what is 'on time'. |
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Andy Cooper Heavyweight Member
Joined: 15 Nov 2001 Posts: 1832 Location: Terre Haute, IN USA
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Posted: Mon Feb 19, 2024 7:08 pm Post subject: |
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Knowing what mouthpiece you actually play would be a big help. In looking over your past posts it would seem that you are using a Frost 5 or 6 TF - trumpet flugelhorn mouthpiece. It might be the TC model, but since you said the cup was like a Bach 5V - the TF would be closer.
Here is the Curry TF in 3C size compared to a Bach 5V. The Frost is probably similar
https://trumpet.cloud/mpc/index.html?mpc1id=VA4580002&mpc2id=VB005700&backcolor=blue
It should be marked on the mouthpiece - something like 5TF or 6TF.
The Frost TF would have a proprietary backbore matched up with a throat size appropriate to the cup. (I don't see how he managed to get a Flugel cup to play with a #28 throat.)
The Backbore is shorter since with a cup that deep, the horn would play flat with a standard length backbore.
If this is the mouthpiece, it was designed to play the way it does. You would need to contact Frost to modify it but it would be hard to say what it would play like after modification.
If you want a different sound why not try something like a Bach 6. Nice medium dark, focused sound with a lot of core. You can bore the throats out on a Bach with out doing much damage. It would also not be a big deal to have one cut and threaded for backbores. |
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ek1986 Regular Member
Joined: 03 Mar 2023 Posts: 16
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Posted: Tue Feb 27, 2024 5:21 pm Post subject: |
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In my experience, keeping the backbore the same but opening the throat will only provide more core to the sound. If this same route is overdone, intonation (and stamina) will suffer.
EK |
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