• FAQ  • Search  • Memberlist  • Usergroups   • Register   • Profile  • Log in to check your private messages  • Log in 

"Fine tuning" the Roll In and Roll Out



 
Post new topic   Reply to topic    trumpetherald.com Forum Index -> The Balanced Embouchure
View previous topic :: View next topic  
Author Message
LeeC
Heavyweight Member


Joined: 25 Feb 2003
Posts: 5730

PostPosted: Sat Feb 21, 2004 5:41 pm    Post subject: Reply with quote

This post is for those cats who've experienced some gains from either the Roll In or the Roll Out and have started incorporating it into their regular playing.

Before going on, these are my experiences as i've observed inside of what appears to me to be the realm of BE. If anyone feels that I've gone outside the BE realm just remember that these are my thoughts. Am only trying to be helpful.

There, that oughta keep the dogs off me...


1. Thoughts for those who's embouchures are predominantly "Roll In",

A. If you're getting some outstanding range but having trouble getting sound down low try using very little pressure on your lower lip as you play a low C or something. To do this bring the mouthpiece at an upward angle until the lower lip almost starts to lose air as the focus of the contact shifts to the upper lip. Sooner or later the lower tone should speak well. Practice...

B. If you're getting good range but having flexibility and volume issues consider experimenting with a larger inner rim dimension on your mouthpiece. Example, if you play a 7C try a 3C or a 1C.


Thoughts for those who play predominantly "Roll Out",

1. Let's say you're starting to pop some nice high F's as a result of recent Roll Out pedal tone embouchure manipulation but find yourself jamming the mouthpiece too hard as you play high tones and/or you have trouble playing high notes softly. Fix this by applying more roll in to the high notes and practice your upper register more softly.

Am expecting you guys to jump all over me for this post. Just trying to be helpful. Can't see how anyone would mind but it's happened before. Trying to be careful.

I've recently found line 1A above to be tremendously helpful not only at acheiving better lower register but at improving register connection and high range volume. This includes powerful three octave arpeggios starting at low C to room rocking double C's

Good luck.

Should I stop casting my swine among the pearls?
Back to top
View user's profile Send private message Send e-mail
_dcstep
Heavyweight Member


Joined: 05 Jul 2003
Posts: 6324
Location: Denver

PostPosted: Sat Feb 21, 2004 6:41 pm    Post subject: Reply with quote

Quote:

On 2004-02-21 20:41, leesbrass wrote:
Lots of wild stuff deleted here...

B. If you're getting good range but having flexibility and volume issues consider experimenting with a larger inner rim dimension on your mouthpiece. Example, if you play a 7C try a 3C or a 1C.

More equally wild stuff deleted...


I think that the mpc solution is backwards. Stay with whatever size you're using and work on the roll outs and the pull downs of the roll in. If you're doing all of BE you'll move toward a more complete range if you just stick with it and follow ALL the excercises. Almost all of us will be better at one over the other (roll in vs. roll out). In my case, I'm WAY better at the roll out stuff, so I'm getting more benefit from the roll in. Anyway, back to the mpc, if you work BE as instructed by Jeff, you'll improve your tone in all ranges and ultimately be able to move to a smaller mpc, no matter whether you're a natural roll-out or roll-in.

Leesbrass is right to suggest experimentation, but I think that it's important to stay with BE and let the book and CD be your guide. (The CD is very important to get the right sound).

Dave
_________________
Schilke '60 B1 -- 229 Bach-C/19-350 Blackburn -- Lawler TL Cornet -- Conn V1 Flugel -- Stomvi Master Bb/A/G picc -- GR mpcs
[url=http://www.pitpops.com] The PitPops[/url]
Rocky Mountain Trumpet Fest
Back to top
View user's profile Send private message Send e-mail Visit poster's website
Larrios
Heavyweight Member


Joined: 14 Nov 2003
Posts: 794
Location: Serooskerke (Walcheren), The Netherlands

PostPosted: Sat Feb 21, 2004 11:55 pm    Post subject: Reply with quote

Hi Lee!

Thanks for your post! I find your posts interesting and I warmly welcome your thoughts to the forum, eventhough they might not always be strictly about BE. You already provided your own disclaimer, so no hard feelings.

Ko
Back to top
View user's profile Send private message Send e-mail Visit poster's website
trumpetjunkie
Heavyweight Member


Joined: 07 Jan 2003
Posts: 622

PostPosted: Sun Feb 22, 2004 10:07 am    Post subject: Reply with quote

We often talk about the "conservatory/orchestral/conservative/whateveryouwannacallthem" people being stuck in their old ways condemning all other methods and never experimenting outside the box... lets not be guilty of the same thing with BE. Truth tested will only come out stronger. If Jeff hadn't have experimented and did all the wacky stuff that most people laughed at... we wouldn't have B.E. Thanks for the "outside the box" insight Lee!
_________________
Your belief has no bearing on reality.
Back to top
View user's profile Send private message Send e-mail AIM Address MSN Messenger
LeeC
Heavyweight Member


Joined: 25 Feb 2003
Posts: 5730

PostPosted: Sun Feb 22, 2004 10:38 am    Post subject: Reply with quote

What some folks may not realiize is that I am very concerned about maintaining the integrity of BE and staying within the scope of the text. However if I see what appears to be gold on the side of the highway i'm gonna pull over, stop and pick it up even if it's against the traffic rules. I'd hope y'all would do the same.

Naturally the concern is with newcomers to BE who may already have their plates full from reading the text. Wouldn't want them to get too far absorbed in matters unrelated or confusing. That's one reason you need a moderator.

Used to post over at the Reinhardt forum regularly. Some of those cats have some neat insight but as I dwelved into matters important to me I kept running further askew from the rather inflexible framework of the forum. Spent more time posting disclaimers than questions or analysis. So I gave up. There's still some fascinating players and analytical minds over there. They just don't post that much.

It's important to remember that the word Moderator comes from the word "moderate". I know Jeff is just an old softy, but other important charactors here might want to loosen up a tad. Not a lot mind you, just a bit. It appears to me that we are "Guardians" of the forum as opposed to "Guards". A guardian permits flexibilty for the student allowing individual differences and unique personal growth. A guard on the other hand is overly rigid and zealous. Limits potential without ever intending it.

There I've done it again, strayed from my own topic 180 degrees and probably broken even more rules of engagement.

Trumpetjunkie and Leesbrass agreeing? Maybe there is hope for all of us.
Back to top
View user's profile Send private message Send e-mail
mcamilleri
Heavyweight Member


Joined: 25 Oct 2001
Posts: 2076
Location: New Zealand

PostPosted: Sun Feb 22, 2004 10:40 am    Post subject: Reply with quote

Well, I actually agree with some of the points, mainly because they have worked for me, which is not to say that they will work for everyone. BE is based on what Jeff calls universal principals - they work for everyone.

Regarding mouthpieces, I recently shifted from the bach 10.5 size (0.63) to the 5C size (0.66) and Yamaha 14a4a, and my playing overall has improved. I could play on the 10.5, and the smaller 620M, but found attacks and flexibility a bit dodgy. I am much more secure on the larger diameter. I tried up to a 1C, but the 5C overall fitted me best. Since BE I can play insanely small mouthpiece diameters, but I play best on around a 5C at the moment. Works for me, may not work for you.

Please note that in the book Jeff states that he no longer uses the small mouthpiece trick to get his students to focus - he relies on the BE exercises to do that. Please don't try to class BE as a small mouthpiece embouchure, as SuperChops has become.

Michael
_________________
Alpha Angles
Besson Loyalist
Back to top
View user's profile Send private message
_dcstep
Heavyweight Member


Joined: 05 Jul 2003
Posts: 6324
Location: Denver

PostPosted: Sun Feb 22, 2004 6:06 pm    Post subject: Reply with quote

I never suggested going to incredibly small mpcs, I just said that I thought it was backwards to think about going to larger mpcs in implimenting BE. Leesbrass was advocating something as large as a 1C. That's fine for some. With a roll in embouchure I can play almost any diameter and I find myself far less sensitive to this parameter.

Now Leesbrass is sending me PMs with much pontificating and ending with a pithy "A pessimist is a person who when he hears opportunity knocking, complains about the noise". I'm not sure what he's trying to say.

I'm open to Leesbrass' experiences, but he shouldn't get all defensive if we suggest to newbies that they should read and follow Jeff's book as their primary source of BE knowledge.

Best regards,

Dave
_________________
Schilke '60 B1 -- 229 Bach-C/19-350 Blackburn -- Lawler TL Cornet -- Conn V1 Flugel -- Stomvi Master Bb/A/G picc -- GR mpcs
[url=http://www.pitpops.com] The PitPops[/url]
Rocky Mountain Trumpet Fest
Back to top
View user's profile Send private message Send e-mail Visit poster's website
Display posts from previous:   
Post new topic   Reply to topic    trumpetherald.com Forum Index -> The Balanced Embouchure All times are GMT - 8 Hours
Page 1 of 1

 
Jump to:  
You cannot post new topics in this forum
You cannot reply to topics in this forum
You cannot edit your posts in this forum
You cannot delete your posts in this forum
You cannot vote in polls in this forum


Powered by phpBB © 2001, 2005 phpBB Group