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derekphtpt Regular Member
Joined: 26 Aug 2003 Posts: 77 Location: Austin, TX
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Posted: Thu Apr 01, 2004 9:12 pm Post subject: |
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Besides other problems one of my students has, he also rolls in his bottom lip. Is there anything I can do to change this embouchure? When I started I actually rolled my bottom lip out quite a bit so I find his lip position foreign to me. I don't know what to do. Should I just let him go? He has a thin tone but I think that's more from how he breathes.
Any help would be...helpful.
Thanks. |
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CalletJazz Veteran Member
Joined: 02 Feb 2004 Posts: 125 Location: Belgium
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Posted: Thu Apr 01, 2004 11:48 pm Post subject: |
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I think he should be fine. Could you tell me if he has an overbite or not. If so, then it's perfectly normal. It is then the way he's getting the best vibrations. For me it works great! I tried everything else, but i've got a terrible overbite, so the lips must compensate for that. Just make sure he doesn't use a lot of pressure! For people with an overbite pressure is an important factor to deal with, cause the edges of the top teeth could be jammed in the top lip, this ain't good/comfortable.
Best of luck! _________________ TP:Jerome Callet Jazz
Yamaha 6310Z
Mpc: GR 65M |
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derekphtpt Regular Member
Joined: 26 Aug 2003 Posts: 77 Location: Austin, TX
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Posted: Fri Apr 02, 2004 12:02 am Post subject: |
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he doesn't have an overbite. If it means anything, I had an overbite, yet I still rolled out. He does play with too much pressure, but who doesn't at that age (highschool). |
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derekphtpt Regular Member
Joined: 26 Aug 2003 Posts: 77 Location: Austin, TX
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Posted: Fri Apr 02, 2004 12:03 am Post subject: |
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he doesn't have an overbite. If it means anything, I had an overbite, yet I still rolled out. He does play with too much pressure, but who doesn't at that age (highschool).? |
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_dcstep Heavyweight Member
Joined: 05 Jul 2003 Posts: 6324 Location: Denver
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Posted: Fri Apr 02, 2004 4:21 am Post subject: |
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If he also did some roll out excercises ala Balanced Embouchure he might actually get to a nice setup. He needs to learn to "drag down" the roll in and how to get the feel of a rolled out position. BE would probably be good for him.
Dave _________________ Schilke '60 B1 -- 229 Bach-C/19-350 Blackburn -- Lawler TL Cornet -- Conn V1 Flugel -- Stomvi Master Bb/A/G picc -- GR mpcs
[url=http://www.pitpops.com] The PitPops[/url]
Rocky Mountain Trumpet Fest |
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derekphtpt Regular Member
Joined: 26 Aug 2003 Posts: 77 Location: Austin, TX
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Posted: Fri Apr 02, 2004 9:59 am Post subject: |
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I know zilch about the Balanced Embouchure but I'll check it out. Thanks. |
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pedaltonekid Heavyweight Member
Joined: 15 Nov 2001 Posts: 1711
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Posted: Fri Apr 02, 2004 11:35 am Post subject: |
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I played with a similar embouchere for a long time and it did cause some problems. Most notably when I ascended above the staff the lips would start interfering with the air flow, because the air would collect inside the lips. The harder I blew, the more the lips would change and it greatly limited my range and endurance.
I was actually studying with a french horn player at the time and he was the one who detected and corrected this. I made a conscious effort to change my embouchere to eliminate the problem and it did not take very long at all - better yet I did not really notice any detrimental problems when making the change. _________________ Best Regards, Play Well!! |
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derekphtpt Regular Member
Joined: 26 Aug 2003 Posts: 77 Location: Austin, TX
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Posted: Fri Apr 02, 2004 11:40 am Post subject: |
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I'm curious. How did you change it? What exercises did you do and what embouchure did you strive to make so that the desired results...resulted? In other words, did you try an extreme roll-out so that eventually your mouth settled somewhere in the middle? |
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pedaltonekid Heavyweight Member
Joined: 15 Nov 2001 Posts: 1711
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Posted: Fri Apr 02, 2004 12:22 pm Post subject: |
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The change was actually pretty easy for me. My teacher recommended that I do a couple of basic things to help:
1. Think of suction cups on the outside of my lips gripping the mouthpiece. Then think of pushing the lips off of the mouthpiece into the air stream.
2. Watch in a mirror when practicing.
He had me do this for my warm-up and then after that I was just to play however it felt comfortable. After it became comfortable doing it for the warmups I was to think of it when playing very easy things, such as hymns, easy etudes. I would say that within 3-4 weeks I was fully converted to the new embouchere. _________________ Best Regards, Play Well!! |
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John Mohan Heavyweight Member
Joined: 13 Nov 2001 Posts: 9834 Location: Chicago, Illinois
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Posted: Fri Apr 02, 2004 2:45 pm Post subject: |
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I play with my lower lip rolled in a bit. Does this mean I should change it?
Forget about his lips - their only job is to vibrate. Concentrate on what makes them vibrate and you'll be of far greater help to him.
Sincerely,
John Mohan _________________ Trumpet Player, Clinician & Teacher
1st Trpt for Cats, Phantom of the Opera, West Side Story, Evita, Hunchback of Notre Dame,
Grease, The Producers, Addams Family, In the Heights, etc.
Ex LA Studio Musician
16 Year Claude Gordon Student |
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