flugle-me-elmo Veteran Member
Joined: 08 Sep 2002 Posts: 169 Location: Memphis, TN
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Posted: Thu Apr 08, 2004 2:20 pm Post subject: |
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So, I was having a lot of trouble with my roll-in (it was behaving too much like my regular embouchure). Then, a few days ago on this forum I was reading a thread about trouble with the lip clamp, and someone's suggestion was to first make a full "fish-mouth" pucker and then basically roll in the lips from that position. I tried this as my roll-in, and wow, what a difference! I think before I was just using compression and not a real roll-in or something because it felt more like a smile. Now, I think I've got it figured out with new notes that are clearer and more precise. I now need to restart on gaining presence and slurring down to the regular register, but for those having trouble with the roll-in, perhaps take that person's advice (I have forgotten the poster) and try the fishmouth first, then roll-in and keep the corners more or less the same.
Just thought I'd share my "ah-ha!" moment with the gang...back to the practice room!
Chris |
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jarrelainen Veteran Member
Joined: 20 Aug 2003 Posts: 264
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Posted: Thu Apr 08, 2004 2:58 pm Post subject: |
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Yup, that is the way it works for me, You were propably reading the posts by Bert and me.
Topic "roll out is as important as roll-in".
That is the way I get the sound very close to how it sounds on the CD.
/JK |
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