Joined: 06 Jan 2010 Posts: 543 Location: Brooklyn, New York
Posted: Tue May 23, 2017 8:24 am Post subject:
Hi Johannes,
I would recommend Bryan Davis. He just put a book out that has some Carmine-esque influences, if not strictly based on the Caruso method. But more than that he's a great teacher. I know he does Skype lessons. _________________ New Album "ensemble | in situ" on Bandcamp
Joined: 28 Feb 2006 Posts: 379 Location: Lancaster, PA
Posted: Fri Jun 09, 2017 4:45 pm Post subject: Re: Teacher online that teach similar to Carmine/Laurie?
johannestrpt wrote:
Hi,
I am looking to keep my practice going during the summer. Is anyone teaching carmine caruso approach online?
All the best
Johannes
I would highly recommend Jon Crowley in Brooklyn. He studied with Laurie for eight years and definitely knows his stuff. He does teach online. In addition to studying with Laurie for so long, he also has conferred with other former students of Laurie to get more insight into her methodology. If I EVER get full time work, I'll resume my lessons with Jon.
Joined: 23 Nov 2001 Posts: 1445 Location: Hastings, NE
Posted: Thu Aug 24, 2017 7:34 pm Post subject:
Contact Derek Ganong at Boise State...he wrote his dissertation on Laurie, and likely can point you in the right direction! _________________ -----------------------------------------------------------------
Dr. Louie Eckhardt, trumpeter
http://www.LouieEckhardt.com
Associate Professor of Music
Hastings College
I watched most of the video that jonesie posted.
I studied with Carmine and also with one of his students. I never recall either one talking about the lips, mouthpiece horn routine.
I studied with carmine in 76-77 and on and off with his student from 75-81.
Was this routine something that Carmine came up with a little later?
If anyone has any info about this I would be curious to know.
Julie Landsman (horn player formerly with the Met Opera orchestra) talks about the lips mpc horn routine in one of her videos. She mentions having learned it from Caruso. The videos are on youtube.
Joined: 12 Jan 2006 Posts: 1471 Location: Riverview, FL
Posted: Sat Aug 26, 2017 10:40 pm Post subject:
Carmine was teaching free buzzing and mouthpiece buzzing at least as early as the 70's. He would use the Schlossberg book for the exercises. Some students would get an exercise assigned as lip bends (applying the 4 rules). Others would get the same exercise assigned on the mouthpiece first and then on the horn. Others would get the exercise assigned with free buzzing first, mouthpiece buzzing second and then, finally, on the horn.
Carmine was teaching free buzzing and mouthpiece buzzing at least as early as the 70's. He would use the Schlossberg book for the exercises. Some students would get an exercise assigned as lip bends (applying the 4 rules). Others would get the same exercise assigned on the mouthpiece first and then on the horn. Others would get the exercise assigned with free buzzing first, mouthpiece buzzing second and then, finally, on the horn.
Interesting. He never assigned this to me. It was not uncommon to have other students sitting and watching while another student was taking a lesson. I sat and watched a few other students and never saw him assign this.
He did have me buzz the mouthpiece a few times but never had me do lip bends.
Joined: 10 Mar 2004 Posts: 650 Location: Johnson City, Texas
Posted: Tue Sep 05, 2017 1:21 pm Post subject:
Quote:
Carmine was teaching free buzzing and mouthpiece buzzing at least as early as the 70's. He would use the Schlossberg book for the exercises. Some students would get an exercise assigned as lip bends (applying the 4 rules). Others would get the same exercise assigned on the mouthpiece first and then on the horn. Others would get the exercise assigned with free buzzing first, mouthpiece buzzing second and then, finally, on the horn.
This was my experience, probably around '71. The exercise was done free, mouthpiece, and on the horn. It involved starting on 3rd space C, slurring chromatically down to G and back to C, through all valve combinations. The 'on the horn' part was to be done by bending rather than using the valves. Man, that was an effort for me!
Joined: 20 Jul 2007 Posts: 33 Location: Brooklyn, NY
Posted: Mon Jan 08, 2018 9:29 pm Post subject:
Hey Johannes,
I realize that the summer has come and gone, but we've just created Caruso and Beyond, a new series of video lessons offered by legendary NYC Trumpet Artist, Dominic Derasse, one of the most prominent disciples of Carmine Caruso and a premier teacher of the renowned Caruso method, on his website!
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